Tag Archive for 'Design'

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Vista Caballo Letterpress Stationery

Vista Caballo is a ranch retreat with a special connection to horses in Dove Creek, Colorado. We worked with Thinktopia to design this stationery system for the client. They already had a logo design and needed stationery developed using the existing mark.

One of the things often overlooked in design is the choice of materials. This is something we strive for in our own design work. Material selection can be a central component for building the look and feel of a brand. In this stationery system we use a variety of brown toned papers to compliment the tactility of the letterpress printing and echo the desert landscape of the location. Kind of like making a color palette, instead we made a material palette. Each piece is printed with the same brown PMS color.

Letterhead is French Paper Speckletone Kraft, Envelope is French Paper Speckletone Chocolate, Business cards and Note cards are Crane Lettra Pearl White 220lb, Labels are Strathmore Soft White crack and peel stock, Journal covers are Fibermark Suedetex Tan 25pt with Smart Genesis Husk 70lbT gutt.

Richness of materials makes this stationery unique.

200 Year Calendar

This wonderfully typographic calendar is the work of Sonner, Vallée u. Partner in Munich, Germany. It is a true information architecture project, letterpress printed on thick cotton paper. Check out their online portfolio for some crisp and polished typographic excellence.

We printed on Crane Lettra Pearl White 220lb (600gsm) cotton stock in two colors -with deep impression text you can’t help but touch. The sheet is a large 420 x 297 mm.

Katie Kirk - Office Letterpress Print

Katie Kirk illustrated this fantastic little print to celebrate the fifth anniversary of Eight Hour Day. You can buy one of the edition in their etsy shop.

We printed it in two color letterpress on French Paper Muscletone Pure White 140lb C, at an 8.5 x 11 size.

Feast Mpls Poster - Split Fountain Ink

Feast is a recurring public dinner designed to use community-driven financial support to democratically fund new and emerging artmakers. We did a poster for the upcoming event here at Studio On Fire. The size is 18 x 24. It was a hand drawn sketch, scanned and converted to a bitmap tiff to preserve the sketch texture. It was printed with a split ink fountain. Our split fountain had fluorescent orange ink on one side of the press and light blue ink on the other side, creating a nice purple gradient in the middle.

Sublimio Unique Design Formula Cards

Sublimio is a multidisciplinary design studio in Italy. They designed these cards for an engaging visual and tactile design experience.

We printed a larger message card and business cards. The message card is very subtle with a blind impression only on 110lb Crane Lettra stock. The business cards use blind impression on one side and black on the other, completed with black edge coloring. They are on 220lb Crane Lettra.

“Show Through” is a term we use to describe heavy impression from printing one side of the paper bruising the sheet and showing small distortions on the reverse side. Show through is an important consideration when a design will be letterpress printed. The double thick 220 lb Lettra is great for a project that is a two sided design because it offers virtually no show through. Note that “virtually” is a key word here. If a heavy impression is desired, there will be some show through. Generally the thicker the paper, the more minimal the show through. But even with a thick stock, impression can knock back the impression from a previously printed side affecting its appearance. In the case of this business card we printed the flood of blind pattern first with heavier impression, then the black text side of the card with a bit less impression. Balancing this impression on a two sided design depends on the nature of artwork being printed. Talk with us early in the design process to work through these production decisions.

Many Fold Farm Letterpress Business Cards

So often, what we do for our clients in the graphic design profession is disconnected from personal passions. This project managed to combine both food and design values. The food our family eats falls into a traditional foods diet, as recommended by the Weston Price Foundation. Which is why we were especially excited when Rebecca and Ross Williams asked us for business cards for their new adventure called Many Fold Farms. Their must-read blog is smartly written and shows a true passion for food and land. I’ve been learning about fine cheese and feeling a bit envious of their farming adventure.

This was both a design and print project for us, which is where our company can truly shine. Not that we don’t love printing the custom work of other designers and collaborating in the production process. We also love owning a design project from concept through production completion.

The design for the logotype merges custom 19th century inspired decorative capitals with slab serifs. We combined typographic texture with a folk inspired pierced tin borders and an inverted round corner die cut. The letterpress printing is on Crane Lettra Ecru (Ivory) 220lb Cover stock for a thick and soft feel in a nice warm color. We produced two different sizes - an oversized card with farm information and a smaller card with personal contact info.

Bat Mitzvah Letterpress Invitation Star With Clips

It goes without saying, we like unique paper structures. This Bat Mitzvah invitation, designed here at Studio On Fire features two triangles with a hole punch that clips together making a six pointed star shape. The paper triangles unclip to open and reveal the invitation text. The paper is 110lb Crane Lettra Flo White 100% cotton, letterpress printed in hot pink and die cut into the two triangles. It was mailed in a large square Neenah Eames Furniture, Weave Finish, Pacific Blue envelope printed in one color on the flap.

Those little metal clips are something we get asked about a lot. They are called #2 Petite Fasteners, made by GEM Office Products here in the USA. They have a little point that pierces the paper and holds the sheets together. You can buy them wholesale here. ($7 per box of 100 clips, 10 box minimum) They come in two sizes - the #2 is the bigger one, the #0 is smaller. And no, we do not sell the clips. But if you are in need of some top notch Bar Mitzvah or Bat Mitzvah invitations we’d love to hear from you.

Chef Business Card - Mini Menu Format

This card designed by 3 Advertising repurposes the folding menu format in miniature as a business card, complete with it’s own mini envelope for presentation.

We custom duplexed Neenah Classic Crest Epic Black 80C together with Neenah Classic Crest Classic Natural White 80C to make a 160lb sheet. Then we letterpress printed silver ink on the black side and gray ink on the natural white side. The cards were die cut with a heavy matrix score for folding such a beefy stock. Neenah Classic Crest Antique Gray 80T paper was printed with transparent white ink and custom converted to the mini envelopes.

Forward Blotter Business Cards

We made some new friends in London at a digital agency called Forward. They rebranded themselves recently and designed these cards that feel very undigital and textural, and that is what we do best. They are printed on Ahlstrom Blotter stock with custom duplexing to bring the thickness to about 50pt. This blotter board has an uneven pulp formation that gives the flood of ink a washed, almost denim feel on the soft paper stock. The cards are edge colored in a matching purple. And this was no small task, an office of over forty people is a lot of cards. We ran them 10 cards up on press five press forms.

Bahamas Letterpress Wedding

This massive custom wedding system is exquisitely graphic. It was designed by the groom, Scott Peiffer. More of his design portfolio here. What is especially nice about this invitation set is the uniqueness of each card. Care was taken to bring together lots of different textures and graphics - beautifully combining, flourishes, coral patterns, florals, silhouettes, crests and even a bulldog.

We letterpress printed all the cards on a sheet together in two color on Cordenons Canaletto Grana Grossa Bianco 111lb C . It is a 20% cotton blend stock with a textural finish. The A7 folder is sized to fit inside an A7 envelope. It is letterpress printed in a coral pattern with a tone on tone blue ink and then die cut. The folder stock is a bright color 100lb cover stock from French Paper‘s Poptone line. The Save the Date Envelope is also a matching stock color, printed tone on tone.

Fabien Barral Business Cards & Note Cards

Here is another fantastic project designed by Fabien Barral over at Graphic Exchange. He brought in wonderful organic drips and brush strokes that interpret with a unique sculptural quality under letterpress impression.

We put down a lot of letterpress printing on this sheet. It’s a good way to make a project affordable - - spread the cost over several items all on the same press sheet. The paper stock is Neenah Classic Crest Solar White 165lb Cover. The sheet contains four business cards and three large note cards. We printed a slightly contaminated opaque white ink for the tonal white effect, also a dense black ink. For our white ink, we usually put just a hair of silver in the opaque white to give it a little tone. It also has the benefit of creating a stronger sheen difference between the inked impression and the uncoated paper stock than you would get with a blind (inkless) print.

After printing this project went to live in French customs for a little while. And that should answer another question we get a lot - Yes! we do ship international all the time. Just let us know if you have any specific customs needs for your country.

2010 Studio On Fire Letterpress Calendar

The Studio On Fire 2010 Calendar is now available on our new web site. This calendar is a decade marker for us. Established the end of 1999, Studio On Fire began letterpress printing in a cold Minnesota basement. Our first press occupied a spot between the boiler and the litter box, and oh, how the studio has since grown. Now seven presses strong with a fully equipped studio space, we celebrate ten years as a bustling design and print studio.

This Tenfold Edition calendar is letterpress printed with four colors on a cotton-blend stock, each month beautifully illustrated by selected designers the world over.

Contributors:
Jan/Jul_ Studio On Fire
Feb/Aug_Cecilie Ellefsen
Mar/Sept_ Brian Gunderson
Apr/Oct_ The Little Friends of Printmaking
May/Nov_ ghostpatrol
Jun/Dec_ Rilla Alexander (Rinzen)