Tag Archive for 'stationary'

Arzu Studio Hope Letterpress Stationery

With beautiful pattern and subtlety, Jeff at Telemetry Studio designed this identity and stationery system for Arzu Studio Hope. Started by a former Goldman Sachs partner, Arzu is a social entrepreneurship company that works at a grassroots level to better the lives of women in Afghanistan.

We letterpress printed multiple elements for this stationery system using gray ink and contaminated opaque white ink on Neenah Classic Crest papers. The business cards are 165lb Solar White, a smooth stock with a with enough thickness for some impression on both sides with minimal show through. We printed on pre-converted envelopes opening the flaps, printing envelope face and flap at the same time, allowing the pattern to wrap from front to back. The pressed pattern in this system is elegant and understated, creating real tactile inspiration.

Jeremy Gardner Stationery

This is a nifty little letterpress card and a7 envelope designed by Duel Purpose in Austin, Texas. It is printed in three colors, the overlapping bold graphics make unique areas of overprinting ink. The stock is 100% cotton 220lb Crane Lettra, with a matching Lettra envelope. Hand written correspondence on these are sure to any leave digital message in the lurch.

Illustrated Type Wedding

Not every wedding invite is so typographically unique as this one, with wedding birds too! Emily and Emory, the Bride and Groom designed these fun loving cards with display typography built from basic geometric forms overprinting each other. The warm color palette is three spot PMS colors which overlap and create additional letterpress texture. The cards are Crane Lettra Florecent White 110lbC 5 x 5 size – all printed together on a single large press sheet in tight register. They even included a little “eye spy” art print that turned out really sweet as well. The envelope is a metallic Stardream stock printed with silver metallic ink. Check out Emory’s site for even more illustrative work.

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English and Spanish Wedding Invitations

A bilingual wedding can be challenge. The bride needed invites in English and the groom needed Spanish. The simplest solution for this wedding in Mexico was both English and Spanish versions of the invitation. We designed and letterpress printed them with a textural yet refined style – a geometric border with a simple hand lettering for the couples names. The stock is Canalleto Grana Grossa 111lb Cover (20% cotton) and is printed in three match colors. The overprinting creates additional dimension and colors in the flower and vine motif. To integrate the invites closely with envelopes, we matched our ink colors to existing envelope colors from French Paper’s Poptone color line – orange fizz and limeade. Salud!

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Typographic Elegance Letterpress Wedding Cards

Erin Jang designed this custom wedding project for Marci and Ben with a unique combination of letterpress and digital printing. The typography here really has a beautiful touch – even with lots of different typefaces, the design is balanced and elegant. Not always an easy thing to do. We also like how the mini envelope on the invitation card creates another level suspense in opening the invitation.

We printed the letterpress portion of the project with 220lb Crane Lettra in an Ecru color and returned them to Erin for finishing. (They needed them quickly, and yes we are always doing some sort of rush custom letterpress work) These cards then had a unique small envelope afixed to them which contains the digitally printed red invitation. Also worth a produciton note is the perf that separates the map and the rsvp card into two parts. We used a fairly coarse perforating rule – about 20 tpi. (teeth per inch) A very thick stock needs enough paper left intact on the perf so it doesn’t just accidently fall off. It’s always worth having several kinds of perf rule around to test the stock and use the one that works best. The difference between a perf that just won’t tear clean and one that falls apart to easy can be tricky to balance. We keep rule around from around 18 tpi up to 100 tpi micro perf.

Check out Erin Jangs blog for more sweet design work. And if you want more, this invite has also been bloggity blogged on some of our favorite sites including Design Sponge, Black Eiffel and Mint Design Blog.

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Typographic Nectar Hummingbird Wedding

Sometimes a great didone typeface just looks succulent, at least we think so. Those serifs are so nice and letterpress crisp, mmmm.

Sara Janssen, who I worked with back in the day at Carmichael Lynch Thorburn (now The Thorburn Group), designed them beautifully. The detail of the hummingbirds and the classic type makes this an elegant set of wedding stationery indeed. Hummingbirds are such an exquisite little bird of great symbolism, we love the copy they put on the table number card. The color is a dark purple ink printed on Gruppo Cordenons Canaletto 111lbC. We’ve been specifying this sheet for some weddings as a cost savings alternate to Pearl White Crane Lettra. It has a more pronounced texture but only a 20% cotton content. It does not taste very good though.

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Silhouette Hands Vermont Wedding

We worked with Vermont couple Dana and Katie to design and letterpress print their wedding invitations. They had a custom silhouette using their own hands to make a heart shape produced by Le Papier Studios. We used this motif throughout the invitation stationery. The soft cotton paper and bright blue silhouettes are contrasted with a simple recycled brown bag envelope and typewriter style navy typography – just the right balance of a raw yet refined style. The invites are printed in a square format with 2 inks on Crane Lettra, 100% cotton stock. All the cards were letterpress printed together on a 13 x 13 press sheet for cost effective production.

Dana and Katie are excited to be on the cusp of history, celebrating just after Vermont legalizes gay marriage on September 1st. Congrats!

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Top Stitched Wedding Booklet

Custom wedding projects are a specialty for our studio. When a marriage has multiple events and large amounts of information – a booklet structure just makes sense. We worked with stationery designer Kavita Ahuja on this letterpress printed booklet for her brothers wedding. (Also, her and her fiancee also have a very cool website selling boutique handmade perfumes called D.S. & Durga.)

The booklet is a french folded structure with a cover that wraps the spine to hide the raw page edges. The french folding allows a nice letterpress impression on each page while hiding any show through of impression on the interior since the backs are hidden. Everything is printed on Pearl White Crane Lettra 80lbT with navy and gold ink. The binding edge is stitched from the top with a navy thread. The booklet fits into an existing A7 square flap envelope. Note on that the envelope can print both the face and the flap by opening them before printing.

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Skype, Twitter, Letterpress

Now it’s even easier to get in touch with us for your custom letterpress project.

For our international and long distance clients we can be reached on our skype account to discuss projects.

10 am – 5pm CST.

And if you need more, follow our tweets.

Skype: studioonfire

Twitter: twitter.com/StudioOnFire

Land Phone: 612 379 3000

Email: Request an estimate here

Remember, If you can send a PDF preview of what you have in mind we can offer you the best price and advice based on your artwork.

And here is a preview our new certificate of production seal:

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Mix Tape Letterpress Wedding Invitations

This invite pumps up the jam with an old school boom box and mix tapes. We love it for it’s fun factor and unique departure from most wedding stationery. The horizontal size is different, the illustration is super fun and the couples initials are even in the speakers of the boom box!

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Adam Ramerth at Lark designed this set. He did a fantastic job with the theme. And we must say, this is a demanding letterpress printing job. The registration is TIGHT. The two yellow and blue colors align critically over one another to create the green as they overprint. The large graphics with small type make Continue reading ‘Mix Tape Letterpress Wedding Invitations’

Affordable Letterpress Wedding Invitations – Part 2

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This is a follow up to our post about affordable wedding invites. These invites were designed by the bride and groom Stephanie Mead and Doug Kohnen at Docent Creative. Doug did some beautiful illustrations that turned out stunning on press. We letterpress printed and trimmed the cards for them. They are dense black ink on Crane Lettra 110lb Pearl White, 100% cotton. They sent us some photos of how they assembled everything with a tag and ribbon. They even silk screened their own envelopes. So, how do you get a gorgeous wedding invitation for a reasonable price?

Continue reading ‘Affordable Letterpress Wedding Invitations – Part 2′

Hey, Nice Ensemble

You know what they say about too much letterpress – you’ll eventually go blind. That is exactly what happened to our design friends at Spunk Design Machine. They created this stationery system for Ensemble with a beautiful and subtle pattern that we letterpress printed blind (a plate striking the paper with no ink). Imagine, a design for a financial company that is both fun and elegant. Which makes sense for Ensemble because they cater specifically to creatives running small businesses by managing benefits and financial operations.

For the letterhead, the blind pattern runs on the text weight sheet along the top edge of the paper. That pattern also prints in color on the back of the No.10 note card (a flat card sized for a  No. 10 envelope). A pattern like this is a great way to get some color into a letterpress print job without running a big solid color block.  Since this card and the business cards are on the same paper and print the same color, we can run them together. We run a lot of jobs with a this card and a business card on the same press sheet. That gives the client way more bang for their print dollars.

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