These are the brand new cards for Dita Eyewear in Los Angeles. Bryan Crabtree designed them and did a nice post over on his blog too. The blind flourish on the light side and the diamond pattern on the black gives these cards a tonal and elegant look.
We first printed these as two sheets, a natural color and black stock and then pasted the sheets together after printing. This step eliminates show through of the impression when printing a two sided design. We’ve found that the gluing of the sheet after it is printed does flatten back some of the impression, so we start with a heavy impression initially. The lighter color stock is Wausau Compliments Natural White 100lbC and is printed with a blind pass and black ink. The black stock is Wausau Eclipse Black 100lbC and is printed with PMS 8001 silver and black ink. The final thickness is 200lbC, about the thickness of a US dime. After printing and gluing, the cards were die cut to the final shape with angled corners.
Six Speed sent us this design for custom letterpress business cards. They are a specialized events marketing company here in Minneapolis. And what could be a better business card job really – crushing AND burning all on the same press sheet.
The cards were letterpress printed on 200lb Eclipse Black Wausau with silver ink, then the press sheet was laser cut. The laser cutting was used due to the complexity of the cutting die and the size of the print run. Laser cutting does a really nice job, especially on darker stocks were the edge burn is less evident. With lighter colored and white stocks, a mask is sometimes sometimes required to prevent burning marks on the face of the sheet.
Chris at Echo Creative designed this invite for an exclusive Timberwolves event. Getting court side tickets for the season is a big deal and attracting the right people to get in on the action requires an invite with some presence. This clean and tactile card is much visually different than the usual slick and colorful NBA related material. But its overall size and thick luxury material make their own statement. And, the dimpled basketball pattern just looks great printed letterpress.
The invite is a massive over sized 12 x 19 inch card printed on Crane Lettra 220lb Flo. White paper stock. The card is printed with silver and a light silver tinted opaque white ink and the text area is die cut to remove as a ticket to the event. If this is what basketball is about, I’m in.
We have a lot of requests for blind (inkless) impression with letterpress plates. However, a tonal ink is often something we suggest rather than a truly blind impression. If the stock being printed does not lend itself to deep impression, the artwork needs some legibility or the art work is on both sides of the sheet, a blind hit can be ill advised. The amount of impression needed to clearly read a completely blind hit will create impression show through on the reverse side of the printed piece. One of the ways we get around this is to mix a tonal ink, shown here on both black and white business card samples. By printing a tone, we can lessen the impression and dial up the legibility a bit.
The black stock is 200lb Wausau Eclipse Black. It is letterpress printed with a black and silver ink mix.
The white stock is 220lb Crane Lettra Flo. White. It is letterpress printed with opaque white ink contaminated with 877 silver.
I’m back after a helluva week with some crazy virus. I miss writing this thing!
This is a sweet little business card designed by Andrew Young at Exclamation 101. The information wraps the card from front to back. We letterpress printed them on a thick two ply black museum board. Weight wise, it is about 200lbC which gives virtually no show through. We really like the finish on this sheet too. The impression takes with a nice crisp bite and the black is very dense compared to commercial papers. The metallic silver ink offers great opacity on the black stock.
Setting the tone for a black tie event with rich black paper just seems logical. Black paper should actually be a requirement if you are having a reception in a castle. (insert jealous sigh here) This contemporary type and linear design is letterpress printed with silver ink on 250gsm Stonehenge Black Paper in a horizontal format. It’s nice to see the type arranged outside typical wedding layouts. These invites were designed by a fantastic design firm – Field - based out of Copenhagen and Dublin. Which goes to show we are happy to letterpress print custom work for designers everywhere.
If script fonts on wedding invitations generally make your stomach turn, this invite layout should provide some typographic Alka-Seltzer. That’s what happens when a great interactive designer gets married. Designed by the groom himself, Jamey Erickson principal over at Sevnthsin in Minneapolis created his invites with a simple and bold typographic layout. Check out some Sevnthsin interactive work here. (They did this great website recently for P.O.S.)
The column layout using justified type accents information and creates heirarchy in a way unique to wedding invitations. The invite set was letterpress printed in our studio with black and silver ink on a single press sheet to keep costs reasonable. (just the little dotted lines of hearts are in silver) The whole invitation set uses Crane Lettra 110lb Pearl White cotton paper stock with matching envelopes. The program card was printed separately closer to the wedding date. It is a very long and narrow card format with printing on each side to handle all the program information. All in all, simple type, done up proper.