Tag Archive for 'paper'

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Old Red Hat Letterpress Business Cards

Scott Ray uses his favorite lid as his design monicker. He designed these cards using a colored paper stock and two inks. This card represents a couple really good ways to use ink on colored paper stock.

Using a colored paper is a great way to get a solid splash of color in a letterpress project without laying down a bunch of ink. But moving to darker colored papers presents challenges in printing. “Opaque” white ink really isn’t a great option since it really isn’t very opaque. With the exception of metallic inks, letterpress inks are transparent. So we used a metallic silver to print the lighter colored text. The tone-on-tone effect of printing a dark red ink on red stock is another great way to use ink on colored paper. The stock is 100lbC French Poptone which was custom duplexed to a double thick 200lb cover weight for a sturdy “thump factor”.

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Flooding Letterpress Ink

This post shows a card we letterpress printed for Grass Fed Cattle Company designed by a good friend and design mentor over the years – Michael Skjei. We love the commitment to local farmers and free range meats. If you are local, give these guys a try.

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We seem to be getting an aweful lot of requests to print business designs with floods of solid color. It can work on letterpress – with a couple big caveats.

Will the color be consistent?

We will have a wider range of ink density variation in the print run than an offset press. We do not have computers sitting on press monitoring this, it is all by eye. We matching to a print at the beginning of the run and keep it as a target, adjusting as we go to keep everything as close as we can. But there will be variation.

The heavier the ink density, the more difficult it becomes to hold the detail of fine typographic detail. So if you are flooding, more robust type works better.

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Will my color print solid?

This depends on the type of stock and the color. Lighter colors and smoother paper stocks generally print with less “saltiness” in a solid area of coverage. Since letterpress prints with pressure, we are much more subject to the texture and formation of the sheet of paper to achieve an even solid.

Will there be impression on the text?

Generally, no there will not be impression. Letterpress works best with text and artwork that is pressing into the sheet. If you are looking for impression while flooding a color, this is not a great use of letterpress. Notice how the logo and gray ink have impression, the green flood of color does not.

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Is the cost the same?

A flood of color takes much more time to set up on letterpress than a card that has text only. Generally, this involves making ready the ink fountain and double the amount of makeready sheets to get color up to speed. Since we charge based on press time, printing a flood of color will cost more than  printing a text only design.

However, most small offset printers can’t make a 160lb or heavier sheet of paper run through their press. So that leaves letterpress as a viable method to print to handle these heavier stock thickness. You have to get on a much larger offset press to touch that kind of stock thickness, which means also means bigger quantities and costs.

So yes, we can print solid colors IF you are comfortable with the variations that are inherent to the letterpress process.

Black Tie & Black Paper: Wedding In Edinburgh

Setting the tone for a black tie event with rich black paper just seems logical. Black paper should actually be a requirement if you are having a reception in a castle. (insert jealous sigh here) This contemporary type and linear design is letterpress printed with silver ink on 250gsm Stonehenge Black Paper in a horizontal format. It’s nice to see the type arranged outside typical wedding layouts. These invites were designed by a fantastic design firm – Field - based out of Copenhagen and Dublin. Which goes to show we are happy to letterpress print custom work for designers everywhere.

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Birds Of A Feather, Letterpressed Together

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Wedding invitations need not be all typographic. This is a nice change in pace from most invites that tend to focus more on type than image. And we love letterpress printing lots of color, so this artwork does the trick. It was designed by Sheraton Green over at CSA Design.  The peacock image comes from the CSA Image collection – an easy $40 bucks to license for wedding invites.

Since CSA also designs all the French Paper stuff, they sent over 140lb Cover Poptone Sweet Tooth paper stock. We printed four PMS colors, with some really beautiful overprinting happening inside  the illustration. These kind of solid areas are always a challenge for letterpress. Note how the solid areas are a bit “salty” in the ink coverage.

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Electric Green Edges

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Edge coloring is an amazing addition to a letterpress project. These are a couple thousand cards stacked up, just completed for GS Design in Milwaukee. They designed these for their client Dohmen. The radial dots are a nice contemporary design on the face of the card and the sides are a matching vibrant green. They are printed in two PMS colors on thick 165lb Neenah Solar White.

We can match edges to any printed PMS color. And the effect looks at it’s best on stock 160lb or thicker. It’s taken us a few years of practice to get the edge coloring production process just right, so we are purposefully a bit elusive about exactly how we do this. It has something to do with unicorn tears and hens teeth. ;) The effect is much more subtle when seen as a single business card and always makes people take a closer look.

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Your Business Card Is Crap

We watched this last week and haven’t been able to stop pulling quotes from it.

Tuscany Semi Formal Wedding Invitation

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Designer Aya Ikegaya created this beautiful invitation structure for a wedding in Tuscany, Italy. We produced this by combining letterpress printing with blind embossing. The outer sleeve is actually the invitation. Inside is a thick cotton card letterpress printed with Continue reading ‘Tuscany Semi Formal Wedding Invitation’

Four Friends Letterpress Business Cards – Pt 1

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This is a big post with lots of images so be sure and see Part 2 as well.

We’ve been an online friend with French designer Fabien Barrel for a while. He’s been kind enough to show our press work on his Graphic Exchange website. His site is a finely curated collection of designers and projects from all over the world. Be sure and see it next time you need some graphic inspiration.

Fabien collected three other friends that also wanted letterpress printed business cards. Fabien Barrel designed his card and the card for So Goods. Fred Dauzat designed his card and the card for Limited Press. We letterpress printed these cards together with Continue reading ‘Four Friends Letterpress Business Cards – Pt 1′

Four Friends Letterpress Business Cards – Pt 2

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This is part two showing the production of business cards on our Heidelberg Windmill. Be sure and see Part 1 showing the finished cards.

We start with a high resolution film negative. The negative is used to expose the plastic plates. The plates are attached to an aluminum base and placed into the press. The press uses air suction to pick up a sheet of paper on the left side and deliver it into the press for printing. The printed sheets are automatically stacked in the delivery pile on the right side of Continue reading ‘Four Friends Letterpress Business Cards – Pt 2′

An Advertising Sleeper Cell

In the spirit of the freemasons, there exists a creative group called Levy 7. Not much is known – they describe themselves as, “a collection of like-minded individuals who, through their awesomeness and grace, elevate the larger group in any and every social and professional endeavor, making us simply the most dynamic advertising sleeper cell/social club in the free world.”

The materials were designed by our friends in DesignWorks at BBDO in New York, a group that bleeds pure design talent. There are business cards, coasters and of course, cigar bands. We letterpress printed the materials in two metallic ink colors. The black paper is ultra thick custom duplexed Black Stonehenge. The white is paper is 179lb Crane Cover, 100% cotton. The cigar band stock was a black text weight from French Paper. After the labels were printed, we applied a remoist glue to the back edge and die cut them. Now if you’ll excuse me, I’m going to form my own letterpress sleeper cell fraternity.

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A Tasty Food Stylin’ Business Card

As the name would imply, a stylist has to have style. This morsel was designed by Westwerk Design and was just featured in the Minnesota AIGA award show. And check out Lara’s site for some really succulent looking food photography.

The letterpress printing is tasty too. The card was printed four colors on the front and a single color on the back. However, we washed up the press four times and did all four single colors on the back as well That gives a nice variety to the presentation of the card on table display on photo shoot sets and studio events.

A heavy ink flood is not the greatest application of letterpress – there is no impression to the information side of this card. We even held on to the tiny 5 point type reversing from a solid. And yes, that many color changes certainly adds up cost. But hey – this job hand eight wash ups!

There is a practical reason to do this kind of solid on a letterpress if you are happy with the more mottled (salty looking) and varied way a letterpress lays this much ink. The reason is stock thickness. Offset printing, which is the best process for printing solids, is usually limited by the thickness of paper for smaller press sheets. To run a thick stock (these are 165lb Neenah) on an offset press gets expensive because you usually need to hire a larger size offset press to handle the stock thickness and have a big press sheet. That just doesn’t make sense for a short run business card project. And most smaller offset presses which could less cost just can not take the stock thickness rattling through the press – if they can get paper to feed through at all. Putting the card stock on a letterpress makes paper feeding possible for a short run job. Offset printing – eat me.

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Love Correspondence: Letterpress Engagement Book

What does a really classy guy do when it is time to pop the big question? Buy a ring to be sure. But here is another little something – a small book of various emails between the couple,  collected, bound and side sewn as a letterpress book. We designed this little gem as a request from the groom-to-be. He compiled all the email notes between the two of them from the past four years and sent them to us. We’ll keep the couple and their notes anonymous, but here are the production details:

The gutt of the book is digitally printed in black text. The pages have a single hit of blind letterpress on the french folded edge. The pages are side sewn together and tuck into a custom hard bound book cover with black book cloth. We printed a custom liner on the cover interior with silver ink on black paper. The cover of the book and the title page are also letterpress printed in silver ink. The paper is 100 percent cotton Crane Lettra 80 lb text.

We’ve confirmed that she said yes.

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