These beautifully patterned, slightly oversized, cards for Julie Dasher Rugs were created by Minneapolis designer Laurie DeMartino. With a common brown and yellow footer on each card, each rug inspired pattern features a different color from Julie’s brand identity. The reverse of each card shares a common pattern with the front, but is printed using a tonal varnish, allowing the contact information along the bottom to spring forward as the focal point.
Letterpress printed on French Poptone Whipped Cream 140C, custom duplexed after printing to make 280C.
Designed for the ARTCRANK MSP 2012 show, our newest poster is an ode to all the radial objects in our life. With a bicycle wheel at the hub of the design, a hindu goddess, a space station and even a nipple made it on to the final print (not to be confused with the aureole that also appears, but we digress).
These were printed on one of our six Heidelberg cylinder presses (insert bragging here) on Crane Lettra Flo White 110c stock with one ink. Every print also got a blind hit of our studio seal, which required a second inkless run through the press.
Yes, you can buy one in our store.
A new product we’ve been asking for (for several years) has finally arrived. Crane Lettra is now available as a 90lb cover stock that is thick, but not so thick, and good for duplexing.
Being the paper nerds that we are, we busted out our calipers to compare the thickness of duplexed Lettra stocks. Our 220lb Lettra stock calipers at .039″ (40pt) and the new 180lb cover stock calipers at .031″ (30pt), roughly a 25% reduction. Available in fluorescent white, pearl white and ecru, we’ve added this to our list of preferred house stocks.
Our first project to hit press with this new stock was for director Nathaniel Freeman. Letterpress printed with a navy ink and a custom varnish, the 90lb pearl white stock was duplexed after printing–concealing the impression show through in the center of the card. The finished product features a nice sculptural impression, but with slightly less bulk to the card.
With warmer weather starting to slide in, we designed this pair of prints to celebrate summer’s tastiest treats. Featuring wieners (tube steaks, anyone?) and ice cream sundaes, these were printed with three inks on French Poptone Whipped Cream 140C.
Sorry, we can’t split the set, only sold as a combo meal. Available in our shop.
Jane, from the family/design/lifestyle blog See Jane Blog, approached us to design and produce some fresh cards for her before she headed off to the annual Alt Summit blogger conference in January. Jane was great to work with, she had a few ideas and elements she wanted included but really lets us run and create something that would look great letterpress printed. Some of our favorite features include the custom diecut (designed to accentuate her signature asterisk) and the thin linework pattern (referencing back to her patterned blog header).
Production wise, these were printed on Crane Lettra Flo White 110lb cover stock that was custom duplexed to a 220lb weight after printing. With two inks, a blind impression and a custom diecut, the presssheet for these cards ran through the press a total of four times.
You can also read about these in a lovely post over on Jane’s blog.
This wedding suite, designed by the bride and groom, shows that you can have playful invitations while keeping the aesthetic classy. The main invitation was mailed with an accompanying information card–cleverly designed with a perforation line, allowing the attached RSVP card to be removed and returned. With many brides shying away from complicated wedding systems, it’s a practical way cut down on the number of pieces recipients will pull out of the envelope. Additional tags and cards printed on the same press sheet were used at the actual event
Printed with two inks, antique brown and a bright zip of yellow, on Crane Lettra Pearl White 110C (one of our house stocks).
Using the format we designed for our Studio On Fire calendars, the marketing team over at Pivot Interiors designed this 2012 calendar in celebration of their expansion into southern California. Created as a tribute to California architecture, this was used as a gift for their clients and was a great way for them to showcase their ties to the architectural and design communities. The beautifully detailed illustrations required us to keep a critical eye on the registration while on press and we’re thrilled with how tight the prints came out.
The interior pages and outer wrap were printed together on one press sheet using four inks on Mohawk Via Vellum Bright White 100C. The stand was printed with one ink on a custom duplexed paper made of Mohawk Via Vellum Bright Wht 100C and Mohawk Loop Vellum Thai Gold 100C before being diecut and hand assembled.
This print is the result of a collaboration between illustrator/painter/art maker Oliver Jeffers and swissmiss’ Tina Roth Eisenberg. Quirky and fun, this three color poster measures out at 11″ x 14,” printed in our Minneapolis studio on Crane Lettra Flo White 110lb cover stock. Does anybody else think popcorn sounds really good right now?
Available for purchase over on Swiss Miss.
If you haven’t had the pleasure of exploring Jessica Hische’s work, you should really go check it out. Her remarkable talent and wit permeates everything she does, a prime example being this poster she designed last year asking the age old question “should i work for free?” Every designer has asked themselves this at some point and Jessica has taken the time to break it down for you in this FIVE color poster she had us letterpress. Printed on Crane Lettra Flo White 110c (one of our house stocks), each 15″ x 25″ print is signed and editioned. Available for purchase in Jessica’s store.
Another side project Jessica produced is inkerlinker, a site dedicated to finding an awesome printer to fit your needs. We’re pretty pumped about the love people have shown us on the site and always enjoy reading the comments people leave. Go ahead and “like” us… you know you want to.
Hard Graft, it literally means “Hard Work,” and boy does this European company live up to their name. Makers of beautifully designed and handcrafted gadget cases, this duo (one English, one Austrian) has a passion for what they do–and it shows. From designing the products and tracking down the finest italian craftsman (they used to make every single item themselves), to packing each order by hand, they are involved in every aspect of their business. We’re actually surprised they don’t have sheep in their back yard (then again, for all we know, maybe they do). Moral of the story–they care, these are the kind of people we love to work with.
To complement their 100% wool felt and leather goods, they designed noted cards, merchandise cards and labels for us to produce. The note card and angular merchandise cards were printed on 60pt Ahlstrom Blotter, which is what we traditionally recommend for coasters. Though the outcome is beautiful, these items were a challenge to run on press. Whenever you run a flood of color alongside fine type you will constantly have to fight to keep the text crisp while still making the flood of color as solid as possible. This project was especially tricky because the blotter stock is notoriously challenging to run solid areas of color on, there is no avoiding what we call a “salty” result–luckily this was the look they were going for. They were finished with a custom diecut, which helps the cards tuck tightly into felt pockets prior to shipping (see the picture below that Hard Graft was nice enough to send over of the cards in use).
The labels were printed on Strathmore Soft White label stock, receiving a kiss-cut after printing, allowing them to easily peel off the backing sheet.