Custom wedding projects are a specialty for our studio. When a marriage has multiple events and large amounts of information – a booklet structure just makes sense. We worked with stationery designer Kavita Ahuja on this letterpress printed booklet for her brothers
wedding. (Also, her and her fiancee also have a very cool website selling boutique handmade perfumes called D.S. & Durga.) The booklet is a french folded structure with a cover that wraps the spine to hide the raw page edges. The french folding allows a nice letterpress impression on each page while hiding any show through of impression on the interior since the backs are hidden. Everything is printed on Pearl White Crane Lettra 80lbT with navy and gold ink. The binding edge is stitched from the top with a navy thread. The booklet fits into an existing A7 square flap envelope. Note on that the envelope can print both the face and the flap by opening them before printing.
When we posted the Save The Date card by designer Nick Brue a couple months back, we were super excited to see what he had in mind for the design of the actual wedding invitation. Finally, here is his design that just recently left the pressroom:
This invitation set is housed within a mini custom die cut pocket folder which neatly organizes the various cards. The folder is printed with a tonal custom woodgrain pattern using a clear varnish ink on letterpress with heavy impression. A belly band is fitted to the exterior of the folder with a Continue reading ‘Woodgrain & Crest Letterpress Wedding’
We love wedding designs that challenge the status quo. The unexpected combination of a antique woodtype-inspired-tuscan-style font alongside a modern san serif face seems to work here. We like the bold linear quality of the design with hearts to add a little finesse. And, it was designed by the groom himself (Ryan Floss). Another unique thing about this invite is the size. Invites need not be giant. Making things smaller certainly helps keep the cost down. The main invite card here is only A2 (5.5 x 4.25). The direction card is actually
a standard business card size of 3.5 x 2. That is a nice pocket size to take along to the event. All the cards are letterpress printed on 100% cotton Crane Lettra Flo. White paper.
We figured we’ll keep going with the wedding invitation posts all this week.
This letterpress invitation is an exquisite balance of wickerwork ornament and type. The graphic ribbon creates a wonderful sense of dimension as it intertwines the ornamental panels. The script font combines with the serif and italic fonts to establish a Continue reading ‘Ornamental Wickerwork: Carolina Wedding Invitation’
The world would be a better place if only we had more plaid. And that is what makes this letterpress wedding invitation extra fantastic. This fun and colorful stationery was designed by the couple Heather and Barry for their LA wedding. They have “His & Hers” invitation design company launching soon. In the mean time, check out their design and illustration work at Cheeky Design.
This invite is one of the most challenging we’ve letterpress printed in terms of registration. The plaid design relies on the white spaces between the colors aligning perfectly. Take a look at the detail shots to see how the colors align. Other tight register work can sometimes be choked or trapped to provide some tolerance in the printing. Not here – this was TIGHT. And we love the final product.
This invitation suite was designed by the bride, Stacey Averbuch. It is an elegant invitation in it’s typographic texture, mixing a coarse script font with a finely serifed engravers typeface. The ink is dark brown letterpress on Crane Lettra cotton paper. A cement green envelope color from French Paper was used for all the envelopes in the set. Email Stacey if you really like the design and would like her to work on a custom stationery set for you.
This a good wedding tip: Colored Envelopes. We like the simplicity of adding color to a wedding invitation set by using a colored envelope. It’s a great way to put some color in the set without the expense of letterpress printing more color.
The same dark brown color is printed on both the cards and the envelopes. We printed the invite cards together on a single press sheet and trimmed them to size after printing. That keeps the cost of all the cards more friendly. Also, don’t forget to include a thank you card while printing your inviations. That saves time and money in the long run. We specialize in printing custom sets brought to us by other designers and event planners. Thanks Stacey for a sharp looking invitation.
Wedding invitations need not be all typographic. This is a nice change in pace from most invites that tend to focus more on type than image. And we love letterpress printing lots of color, so this artwork does the trick. It was designed by Sheraton Green over at CSA Design. The peacock image comes from the CSA Image collection – an easy $40 bucks to license for wedding invites.
Since CSA also designs all the French Paper stuff, they sent over 140lb Cover Poptone Sweet Tooth paper stock. We printed four PMS colors, with some really beautiful overprinting happening inside the illustration. These kind of solid areas are always a challenge for letterpress. Note how the solid areas are a bit “salty” in the ink coverage.
Designer Aya Ikegaya created this beautiful invitation structure for a wedding in Tuscany, Italy. We produced this by combining letterpress printing with blind embossing. The outer sleeve is actually the invitation. Inside is a thick cotton card letterpress printed with Continue reading ‘Tuscany Semi Formal Wedding Invitation’
This is a follow up to our post about affordable wedding invites. These invites were designed by the bride and groom Stephanie Mead and Doug Kohnen at Docent Creative. Doug did some beautiful illustrations that turned out stunning on press. We letterpress printed and trimmed the cards for them. They are dense black ink on Crane Lettra 110lb Pearl White, 100% cotton. They sent us some photos of how they assembled everything with a tag and ribbon. They even silk screened their own envelopes. So, how do you get a gorgeous wedding invitation for a reasonable price?
Continue reading ‘Affordable Letterpress Wedding Invitations – Part 2′
This uniquely shaped invitation was designed by us at Studio On Fire. It is one of the most interesting die lines we’ve created for wedding invitations – elegant and fun at the same time. It is a simple green one color letterpress on white paper with that same green printing on a green paper for a tone on tone effect. What really gives this invitation set a unique twist is that the cards nest into a four strap belly band enclosure which holds them together. Inside there are three cards: an invite, a map and an RSVP postcard. The four strap enclosure buckles together with slits in the paper and does not require glue or tape. The address area on the enclosure can be written on like an envelope. Once fastened together the invite then mails in a clear bag rather than an envelope.
A wedding in Puerto Rico requires an invite worthy of the occasion. Bride and groom Ashley Geoffroy and Russell Austin co-designed these for their wedding. We printed the long folding letterpress card which perforates apart for the RSVP return. They gocco printed the fabric with the invite text. Then Ashley and her mom had a field day stitching everything together. An amazing amount of work with a beautiful outcome. It’s such a light and airy piece that stays modern with the accent stitching. Truly the one-of-a-kind invitation we love to be a part of producing.