Tag Archive for 'grey'

Iron Beasts Make Great Beauty

After a brief blogging hiatus we’re back with a project we’ve been bursting to share with you.

Nearly a year ago we worked with Gestalten publishers on this great video piece about our shop and we’ve been featured in some of their past publications–but now they are releasing a title all about Studio On Fire! Needless to say, we’re giddy.

The book features work designed by us, as well as work designed by clients, all of which was produced here in our Minneapolis location. Pictures of our ever expanding workspace also made it in alongside a forward written by our Principal.

Since we couldn’t, in good conscience, let a book about us not include any actual letterpress, all of the covers were letterpress printed at Studio On Fire and shipped off to meet the gutt of the book in the final stages of production. Due to the heavy 100 point thickness of the recycled cover boards, all of the covers were hand fed into our Gietz platen press. They are printed with a day glo ink using deep etch copper plates. We love the contrast of raw and refined created by the bright color next to the gray board.

It’s already shipping in Europe and will be released here in the states in late October. We got our hands on an advance copy, so we thought we’d share a bit of a sneak peek with you.

Fantastic Philatelic Wedding Invitations

These invitations were designed by the bride Nichole Tremblay. You can visit her at Coral Pheasant. We worked with her on the letterpress printing of her custom wedding stationery cards. Then we were completely amazed when she sent us finished samples showing how she put them together. What a labor of love. She tied the various sized cards together in a stacked bundle using a textural gauze ribbon with golden string to wrap the pile. She produced her own lined envelopes and outer address labels that are carefully wrapping the edge of a large A10 envelope. Then she painstakingly picked her postage. She made beautiful stamp collages on the envelopes using specially selected vintage postage, different for each invitation, but little works of art unto themselves.

The invitations are printed in gray and pink inks on thick 220lb cover Pearl White Crane Lettra paper. We printed all the cards together on a larger press sheet, saving her money in the letterpress production. Large script type runs across the top of each card with small san serif type across the bottom. We used heavy impression with a lighter ink density on the gray ink so the printing could have a more textural and salty appearance on the cotton paper. These invitations are a tactile treat. And with bowling at the reception dinner, who wouldn’t want to go?

iphone app developer letterpress cards

Letterpress seems pretty far removed from the slickness of the iphone. Yet even the most technically focused business can benefit from the tactility of letterpress business cards. In fact, we would argue that they are the perfect counterpoint. Marko Karppinen & Co is a software developer in Finland specializing in iphone and ipad applications. We designed and printed this card for their ten person company.

The back of the card is printed with a heavy blind (inkless) letterpress impression. The front side is printed with gray ink plus accent yellow bars. A key production step to virtually eliminate show through and have heavy impression on both sides was to print two separate sheets and paste them together after printing. For this step we use Potdevin pasting and rotary presses. The pasting machine applies glue to the back of a sheet. That sheet is then paired with the sheet for the reverse side of the business card and run through the rotary press to firmly squeeze them together and eliminate any air bubbles. The stock is 110lb Neenah Classic Crest Solar White custom duplexed to a thick 220lb weight.  Special finishing is a yellow edge color. A well crafted card indeed.