Beast Pieces » design services

Falling Deer Cards

Erik — Tue, 09 Jun 2009 23:15:40 +0000

A little design and print job we just wrapped up. Robot Deer. Enough said.

Rotate an eyeball towards that real small type on the front- 1.5 point type, whew.

Love Correspondence: Letterpress Engagement Book

admin — Fri, 20 Mar 2009 17:32:31 +0000

What does a really classy guy do when it is time to pop the big question? Buy a ring to be sure. But here is another little something – a small book of various emails between the couple, collected, bound and side sewn as a letterpress book. We designed this little gem as a request from the groom-to-be. He compiled all the email notes between the two of them from the past four years and sent them to us. We’ll keep the couple and their notes anonymous, but here are the production details:

The gutt of the book is digitally printed in black text. The pages have a single hit of blind letterpress on the french folded edge. The pages are side sewn together and tuck into a custom hard bound book cover with black book cloth. We printed a custom liner on the cover interior with silver ink on black paper. The cover of the book and the title page are also letterpress printed in silver ink. The paper is 100 percent cotton Crane Lettra 80 lb text.

We’ve confirmed that she said yes.

A Shaped And Buckled Letterpress Wedding Invite

admin — Sat, 14 Mar 2009 16:47:47 +0000

This uniquely shaped invitation was designed by us at Studio On Fire. It is one of the most interesting die lines we’ve created for wedding invitations – elegant and fun at the same time. It is a simple green one color letterpress on white paper with that same green printing on a green paper for a tone on tone effect. What really gives this invitation set a unique twist is that the cards nest into a four strap belly band enclosure which holds them together. Inside there are three cards: an invite, a map and an RSVP postcard. The four strap enclosure buckles together with slits in the paper and does not require glue or tape. The address area on the enclosure can be written on like an envelope. Once fastened together the invite then mails in a clear bag rather than an envelope.

Rosenthal – A Letterpress Identity

admin — Thu, 19 Feb 2009 06:03:03 +0000

When Becky Rosenthal was launching her wedding photography business she asked us to both design and letterpress print her identity system. So many wedding invites are letterpressed, why not appeal to brides with the same tactility?

Here’s a couple design considerations for letterpress:

One of the things we like about letterpress is what happens to the white areas within a design. You can see in the logo below how the interior white spaces have a raised effect because the area around them is being pressed down. Creating those white spaces within a solid area is one of the things we try to include in our design work to show some dimension.

Another thing that works well in letterpress design is the inclusion of pattern. Rather than using large solid areas of color (which definitely are not well suited for letterpress) a flood of pattern adds both color and a texture that can be felt.

Space 150 – Letterpress Card Retrospective

admin — Fri, 06 Feb 2009 05:06:53 +0000

It started back in high school art class. I was a junior and there was this senior that sat in the back doing pottery and was always throwing frickin’ balls of clay at my head while I was trying to draw. Fast forward over a decade and both of us have design careers. Me – running my design/letterpress studio and he (Jason Strong, or Bone as some people call him) is a design director over at Space150. He called me up and invited me to be a guest designer on a Space150 identity system version.

Now what you must understand about Space150 is that they redo their entire identity every 150 days. The WHOLE thing – business papers, website, mission statement, etc.

Our studio gladly accepted the assignment to design version 16 with letterpress printing for the full system. Version 16 was such a success that we were invited back to create and letterpress print version 17 as well. They moved off of letterpress for version 18 and almost had a mutiny because everyone became attached to their letterpress business cards. And believe me those new media folks really know how to throw down a mutiny. So version 19, 20, 21 and the current version 22 are all produced by Studio On Fire with letterpress printing, laser cutting, etc. Space 150 has designed 19-22 in house with their own killer designers, Ned Wright and Dan Jenstad.

It is our hope that this set of business cards represents a very different sort of letterpress printing and approach to commercial production. Studio On Fire is not tied to the historical visual baggage of letterpress. We try to take a little vintage and a little modern and mix it together with mad production skills. In the end, these cards land in peoples hand with a sense of wonder – and that is what good design and production is all about. Enjoy…

Please contact us for your next challenging print project. We thrive on working with other creatives to produce award winning design.

Oh, and Jason, just you wait. I’ve got some clay balls saved up for next time we meet. Unless we can settle this like gentleman?