Studio On Fire // Design & Letterpress Blog
This print is the result of a collaboration between illustrator/painter/art maker Oliver Jeffers and swissmiss’ Tina Roth Eisenberg. Quirky and fun, this three color poster measures out at 11″ x 14,” printed in our Minneapolis studio on Crane Lettra Flo White 110lb cover stock. Does anybody else think popcorn sounds really good right now?
Available for purchase over on Swiss Miss.
Who can resist a wedding invitation with flamingos? We can’t, that’s for sure. Designer Scott Peiffer created this elegant, yet whimsical, wedding suite we printed for an upcoming Miami wedding. There are a lot of pieces to this system, similar to the suite Scott designed for his own wedding we printed a couple years back, but each card effortlessly coordinates without being matchy-matchy.
All of the cards, along with the belly band, were printed together on one press sheet with two inks on Crane Lettra Pearl White 110c. The pattern on the folder was created by using one tonal ink on Arturo Pale Pink 260gsm. The folder was custom diecut and hand assembled after printing.
We were lucky to once again work with the kind folks over at Martha Stewart Weddings. For their Fall 2011 issue (on newsstands now!) we were asked to create a wedding suite with a distinctly geometric flair.
One of our more masculine suites, you won’t see any cursive fonts or extraneous illustration announcing the celebration of this union. The sleeve, made out of French Construction Nightshift Blue, has a custom peek-a-boo diecut that reveals wedding details as the card slides out the top. Navy blue and warm gray inks overprint each other on 110 lb Crane Lettra Ecru stock. Custom envelopes with delicate line work complete the suite.
Six Speed sent us this design for custom letterpress business cards. They are a specialized events marketing company here in Minneapolis. And what could be a better business card job really – crushing AND burning all on the same press sheet.
The cards were letterpress printed on 200lb Eclipse Black Wausau with silver ink, then the press sheet was laser cut. The laser cutting was used due to the complexity of the cutting die and the size of the print run. Laser cutting does a really nice job, especially on darker stocks were the edge burn is less evident. With lighter colored and white stocks, a mask is sometimes sometimes required to prevent burning marks on the face of the sheet.
