You might remember Slate from this earlier version of their cards that we produced in 2010. Years have passed, but they still know how to design a beautiful card using multiple processes; this latest version incorporates foil, letterpress, and a peekaboo die cut.
A white foil was used on both sides of Mohawk Via Vellum Cyan 80# cover. A separate sheet of Crane Lettra Flo White 90# cover stock was letterpress printed with black ink before receiving an interior circle die cut. Now for the fun part: after all the printing and die cutting was completed the stocks were custom duplexed, allowing the foil “S” to show through the peekaboo die cut.
We’re extremely proud to finally share this project that we worked on a few years back.
Spring of 2011 Make Retail brought us in to partner on a project for Ace Hotel New York and Google for a special release of the Chromebook. You may remember, Ace Hotels partnered with Google to put a Chromebook in every room of their New York hotel that entire summer. It was free to use during your stay and had a custom app (designed by Superfuture) for those who needed a little supplementary New York knowledge.
We custom designed the sleek wool sleeve (can wool be sleek?) to give the Chromebook an easily transportable home. A coordinating mini-sleeve to houses the power cords was created to effortlessly keep things together on-the-go. With a wrap-around cording closure, meticulously chosen buttons and contrasting top stitching, the details really made this an enviable accessory.
You can find more of Studio On Fire’s handiwork tucked into the interior pockets of the sleeve. An instruction card filled with a cheery welcome message and helpful tips was letterpress printed with a cool gray ink on 110lb Crane Lettra Flo White cotton stock before being scored, folded and inserted.
In another interior sleeve pocket, letterpress printed journals are graced with a quote from John Milton, “A sable cloud turns forth its silver lining on the night,” that we pulled from wood type on our proof press before digitizing for final production (BONUS–guests were able to keep the journals after their stay was complete, whether they purchased the Chromebook or not). The covers have a tonal ink impression on a Mohawk Beckett Concept Wood Spice 130lb cover stock, while the interiors were offset printed on Domtar Cougar Opaque Smooth Natural 60lb text. Finished off with some curvy corners, we’re sure these were stolen by jealous friends when not guarded properly.
3 Advertising, based in Albuquerque, designed these ingenious business cards sleeves for photographer Michael Barley that we letterpress printed not long ago.
The sleeves were letterpress printed on French Speckletone Natural 80# cover stock. After printing the sleeves were custom diecut, including a window that showcased examples of Michael’s photography from the inserted card. To keep everything all together a small sticker was letterpress printed with a tonal ink on a kraft label stock that was then custom diecut and pinhole perforated.
We couldn’t wait until spring to see you all again, so we’re turning up the heat, opening our doors, and inviting you in for a wintery helping of letterpress goodness.
Friday, December 6th we are once again joining forces with our basement neighbors, Westwerk Design and Hennepin Made to host a basement block party of fabled proportions. Hennepin Made is holding their annual sample sale, Westwerk is partying down with their recently refreshed identity, and, as per tradition, Studio On Fire will be letterpress printing a poster for you to take home (possible holiday re-gift?).
Be sure to come hungry, as Natedogs will still be serving his quality wieners, Dogwood Coffee will be crafting beverages to thaw your Grinch-y heart, and we’ll have several beers on tap. It’s a family friendly-ish event (we’ll have a kids activity) that starts at 5pm and runs until we give up. So grab a coworker, a friend, and/or your mom and come on down.
1621 East Hennepin Avenue, Minneapolis MN 55414
Enter the building on 16th Avenue SE, proceed downstairs.
We put this up as a Facebook event, too, if you’re into that.
SHIFT LAB, a web and mobile developer, embraced the beauty of materials when designing their business cards that we produced a while back.
For the logo side of the card we used Mohawk Via Vellum Safety Yellow, in an 80# cover, which is a stock that is vibrant in color without being fluorescent. The logo was printed using a tonal ink, creating just a subtle color change between paper and logo.
The information side of the business card was letterpress printed on Neenah Classic Crest Solar White Smooth 165# cover with a black letterpress ink as well as a custom mixed yellow ink that matches the Mohawk stock on the reverse.
After printing the two stocks were custom duplexed together, for a card with a total thickness of 245#, and the edges were colored black.
The folks over at Base Art Co do some great work ranging from book covers to responsive web design, though our favorite project is probably these business cards they designed for themselves and sent our way for production.
A card comprised of two stocks that we custom duplexed together after printing, the final weight of this card ended up being a sturdy 320# cover. The white side of the card is Crane Lettra Flo White 220# cover stock with hit of tonal letterpress varnish, while the grey is French Durotone Steel Grey 100# cover letterpress printed with a silver ink and white foil. After duplexing and getting trimmed down to their slightly undersized dimensions of 3″ x 1.75,” a bright yellow edge color was applied, which added a splash of color in addition to hiding the seam of the custom duplex.
A few years back we were able to work with a great couple, Michelle and Brad, who wanted their wedding invitations to resemble old school telegrams. We went to town, turning small details from their life into design elements that really enhanced the suite; their dog was even incorporated as having given the “stamp of approval.”
Though the design is completely custom, we kept production costs to a minimum by using only one ink across the entire project (even on the envelopes, we used the same teal ink, which resulted in a great tonal effect). Letterpress printed on French PopTone Whipped Cream 1oo# cover, we duplexed these after printing to create a thick 200# stock. The envelopes are French’s Blu Raspberry A7 square flap.
Cricket Design Works is a full-service visual communications consultancy based out of Madison, Wisconsin. We printed their multi-colored business cards a few years back and completed this tasty poster duo for them just this past winter.
Appealing to both our eyes and taste buds, these illustrative posters were letterpress printed on Crane Lettra Pearl White cotton stock wtih three inks, a green, an orange, and a brown common to both versions. Nestled amongst a massive amount of foodie knowledge, the illustrations keep solid areas of color to a minimum, really showing off the letterpress impression with some hand drawn line work.
Pivot Interiors once again embraced their California heritage when designing their 2013 desktop calendar that we produced for them. In 2012 they featured classic California architecture and this year they showcased some of the golden state’s most notable cultural treasures.
All of the monthly pages were run at the same time on one large press sheet, which helps keep some costs down (we only had to set up and wash up each color once), but can also cause some challenges on press. As sheets are run through the press over and over, the paper can begin to warp, wreaking havoc on registration. Taking the time to properly trap all of the artwork in the prepress stage and watching the amount of impression while on press can help quell this.
The pages and outer folding wrap were printed on one of our large cylinder presses with four inks on Mohawk Via Vellum Bright White 100# cover. The desktop stand was letterpress printed with one ink on a custom duplexed stock comprised of Mohawk Bright White 100# cover and French Poptone Blu Raspberry 100# cover. After printing the stand was custom diecut and hand assembled.
Our latest print, which has also been added to our online store, is a poster created for the 6th installment of Poster Offensive (a bipartisan political poster show that happens every two years, coinciding with elections) which was hosted by Big Table Studio in downtown St. Paul this past November.
The poster measures out at 13″ x 20″, with four inks (three beautifully overprinting and a fourth offering some sage words of wisdom) letterpress printed in our Minneapolis studio on Crane Lettra Pearl White 110 lb cover.