The fresh New Media firm, FRWD, from the other side of the city sent us their cards to get printed recently. They were designed by Justin Mckinley. Color choices and high-design sensibility really make these ones pop extra hard. Another prime application of edge coloring in a very tasteful way.

Published on
August 18, 2009 in
Letterpress.
Tags: 220lb, black, Business Cards, crane lettra, edge color, edge tipping, flo white, FRWD, impression, Letterpress, letterpress services, logo, minneapolis, two logos, yellow.
A little design and print job we just wrapped up. Robot Deer. Enough said.
Rotate an eyeball towards that real small type on the front- 1.5 point type, whew.

This invite pumps up the jam with an old school boom box and mix tapes. We love it for it’s fun factor and unique departure from most wedding stationery. The horizontal size is different, the illustration is super fun and the couples initials are even in the speakers of the boom box!


Adam Ramerth at Lark designed this set. He did a fantastic job with the theme. And we must say, this is a demanding letterpress printing job. The registration is TIGHT. The two yellow and blue colors align critically over one another to create the green as they overprint. The large graphics with small type make Continue reading ‘Mix Tape Letterpress Wedding Invitations’
Published on
April 5, 2009 in
Letterpress and Wedding.
Tags: adam ramerth, boombox, crane lettra, french paper, ghetto blaster, ink, invitations, invite, lark, Letterpress, mix tape, overprinting, printer, printing, stationary, stationery, tapes, two color, Wedding.

We love thick stocks. It is a friend with benefits. One of the challenges in letterpress printing is working with the “show through” of the impression to the opposite side of the page. When you have a thicker stock it becomes easier to show more impression and have less show through.
These pictures compare 110lb Cover (300gsm) with 220lb Cover (600 gsm) Crane Lettra which is 100% cotton. What you should notice is that they both have a sculptural impression. But the thinner stock on the top does have some show through, while the thicker stock below has even more impression and no showing on the opposite side. That becomes important if you are doing a two sided business card and wish to minimize showing. The depth of impression on letterpress is controled by varying the amount of packing material underneath the sheet being printed. A single sided design is easier to achieve heavy impression because there isn’t as much worry about the back of the paper.
Published on
February 9, 2009 in
Letterpress.
Tags: 110lb, 220lb, Business Cards, cotton, crane lettra, heavy impression, impression, letterpress services, show through, studio on fire.