Tag Archive for 'crafted'

Villainy Black Business Card, Gold Edge

These cards designed by Villainy and Associates really make you stop and turn the thing over in your hand. The understated typographic design gives the letterpress production value emphasis. It’s simple and pseudo executive – flashy without being too flashy.

We printed letterpress metallic gold for the information and letterpress varnish on the logotype. We like using a varnish on dark stocks for a tone on tone effect. That gives a slightly better legibility than a totally blind, inkless impression. The stock is a thick 200lb Wausau Eclipse Black with metallic gold edge coloring.

Murphy & Co – Offset & Letterpress Business Card

This well crafted card was designed at VO2 Media in Minneapolis for Murphy & Co. Design, designers of exceptional residences. But don’t let the simple look of this business card fool you. It’s design subtlety has layers of complexity in production. Here’s how:

The impression is not very deep and the paper is not overly thick. It is Neenah Classic Crest Avon Brilliant White 130C. The design on the front side has a subtle vignette effect around the edges which is printed offset (flat). If you look at the close up detail carefully you can see a soft line screen very light gray in color over the tone of the paper. The information on the card is printed in three letterpress colors – light gray, dark gray and a deep red. We matched the deep red letterpress ink to the offset printed ink on the back of the card.

The design on the back of the card requires offset printing plus an overall varnish to help seal the flood of ink. (When a flood of ink is printed on uncoated paper, darker colors and especially reds can have a tendency to rub of the surface of the paper. Sealing the sheet with a varnish or aqueous coating helps mitigate this ink transfer.)

Producing a card like this is not quick, which leads to a note about expense and quantity. This piece of paper required three passes through our letterpresses and two passes through an offset press, then a final trim of the press sheets. That is labor intensive with a separate set up, wash up and press run for each color. In an age of digital printing where you can pay by the number of copies, there is a misconception that a lower quantity will make a big difference in price for letterpress. In fact, a production quantity of 100 business cards or 1000 business cards really does not make a big difference in the cost of a job with these kind of production specs. Pricing for custom work all depends on how complex your production specifications are. We advise that the more complexity in your project, the more it will cost. A one color card letterpress card can be cost effective. But like anything well crafted, five times through the presses most certainly costs more.

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