Not that a heart felt email blast or animated web message for the holidays isn’t all well and good, but as you may have guessed we are suckers for a good old fashioned ink on paper. The next few days, we’ll show some previous custom holiday projects we’ve letterpress printed in the hopes of inspiring your own letterpress holiday projects. The holiday card seems to be one of those notorious last minute tasks for creative types. We are already heavily into estimating custom cards for many designers. And as much as we love rushing last minute projects, earlier is always better and leaves many more production options available. Word to the wise, ask us early for an estimate on your project.
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Who says typographic characters don’t make delightful tree ornaments? This card was designed by Katie and Nate over at Eight Hour Day. The green combined with hot pink makes a unique holiday color combo. The card was die cut to produce two parts for a desktop Christmas tree, to be decorated further with objects on your desktop. It was letterpress printed on thick Fox River Blotter stock from Neenah Paper. Since the paper is produced without any surface sizing the blotter sheet has a more mottled appearance in how the textured surface accepts a large solid ink area like the green tree. This gives the printed piece some additional tactile quality. Fa la la la la, ooolala.
Published on
October 28, 2009 in
Holiday and Letterpress.
Tags: blotter, card, cards, christmas, custom, Design, die, die cut, eight hour day, flourescent pink, fox river, green, greeting, heavy, Holiday, Letterpress, neenah, paper, pink, printing, score, tactile, thick, tree, type, typography, unique.
A strikingly simple business card designed by Blok Design out of Mexico City. Sweet type. We letterpress printed on some heavy 4 ply cotton museum board. Edged colored in a delicious yellow. A modern and materially elegant card indeed.
Published on
October 23, 2009 in
Business Cards and Letterpress.
Tags: 4 ply, 4ply, blok design, board, business, business card, cards, commercial, cotton, custom, Design, edge, edge coloring, edge painting, edge tipping, Letterpress, mexico, mexico city, modern, museum, print, printing, type, typography.
In our custom letterpress work we see an almost daily request from designers for white inks and/or light colored inks printed on dark colored paper stocks. Since white ink and light colored inks are not completely opaque, the ink will print on the paper with some transparency. This ink transparency is more evident the darker the paper color. This issue represents a learning curve for folks coming to letterpress print production for the first time. White ink does not turn out bright white and light colors will not print lighter than the stock color they are printing on. Metallic inks are a notable exception and will print opaque on colored stocks.
These card design offers a look at what letterpress printing CAN do. These business card were designed by Aadvark Brigade, Chris Straley Photography, and JDH Group. The designs shown are printed on the same black paper stock – 200lb Wausau Eclipse Black.
- The Straley card is black and silver ink.
- The Aardvark card is Opaque white and silver inks.
- The JDH Group is black, silver and metallic blue overprinting the silver inks.
The final cards turned out great and offer a nice comparison of how the various inks letterpress print side by side. Notice how the white ink has almost a blueish appearance. The black ink gives a nice tonal effect and a metallic color overprinting silver offers some additional opacity to the color.
Published on
October 20, 2009 in
Business Cards and Letterpress.
Tags: 200lb, 877, aardvark, black, brigade, Business Cards, card, cards, chris straley, color, colored stock, commercial, comparison, custom, Design, eclipse black, ink, jdh group, Letterpress, letterpressed, metallic, opaque, paper, photography, printing, silver, stock, transparent, wausau, white.
This simple one color wedding invitation was designed by the groom for the couples December wedding in Kyoto, Japan. The head silhouettes have a unique anime / manga style. We also love the modern graphic crest containing the interlocking rings and the matrimony announcement. It’s a bold yet refined design – traditional subject with a modern presentation. Nice work Osamu!
The cards were layed out together on a large 13 x 18 Flo White Crane Lettra 110lbC press sheet. These were printed on our Vandercook Uni III. We letterpress printed two passes of the gold ink for better ink density . Here’s something to keep in mind when running a double pass on a cylinder press – don’t adjust the packing on the press between pass one and two. By adjusting the packing, you also change the circumference of the cylinder, making it very difficult to register the second pass. We like to run two passes of ink metallics to give a little better sheen. Metallic ink, especially on an uncoated cotton stock will never be shiny like a coated stock or approach the mirror finish of a foil stamp, but it is crisp in details and does offer a small amount of shine.
Published on
October 6, 2009 in
Letterpress and Wedding.
Tags: 1 color, 110lbC, anime, cards, crane, crest, custom, cylinder press, Design, graphic, invitation, invitations, invite, japan, japanese, kyoto, Letterpress, lettra, manga, modern, one color, silhouette, stationery, uni iii, unique, vandercook, Wedding.
Open wide and say aahhh. Great. Now turn your head and letterpress some tongue depressor business cards. We just printed these for MCAD design undergrad Matt Van Ekeren. The cards are for his soon to launch website designthattalks.com The simplicity of the idea here is brilliant. The business card object plays off the url perfectly.
For the production, we hand fed them on our Chandler and Price letterpress. We used a small block of deep relief Boxcar base in an unusual way. Instead of using photopolymer plates, we used a 16 gauge copper plate mounted with double stick tape adheisive. We used copper rather than polymer in this case so we could be a little more aggressive with the impression on the wood. To accomodate the thickness of the tongue depressor, we had to back the platen off a few flats. Then, since the artwork is so tight to the edge the big challenge was fitting the guides pins EXTREMELY tight to the print area and not crush them. But it worked! We printed a couple hundred on both sides. A real challenge to hand fed, press was on a pretty low speed setting. Not something we’d like to do everyday, but we are suckers for trying things that are unique. But we did have Matt open all the individually packaged depressors.
Also, take a look at our Chandler and Price hand guard. It is a window-shade-like device that opens up as the press closes and pushes your hand out of harms way. Kind of a nice safety feature.
Published on
September 24, 2009 in
Business Cards and Letterpress.
Tags: base, boxcar, business, Business Cards, C&P, cards, chandler, copper, Design, feature, guard, hand, hand fed, Letterpress, Matt Van Ekeren, price, saftey, tongue depressor, unique business cards, unusual, wood, wooden.
Caryn Gutterman designed this business card for photographer Scott Regan. We are suckers for letterpress printing the unique, custom and out of the ordinary. And these business cards are no ordinary cards. If Scott Regan hands you a business card, you will KNOW he’s handed you a business card. The thick stock is 60pt blotter stock. It is a little more textured on one side than the other. The texture of this stock is deep – reminds us of the finish on an egg carton, kind of raw and porous in appearance. It takes some work to print a solid letterpress, even more work on this stock. It’s not a fine surface like cotton sheets, but it’s soft and takes a nice impression which makes it attractive for letterpress. The paper just drinks up the ink and leaves paper fuzz everywhere – guess that’s why it’s a blotter stock. But the result is really beautiful. There is an uneven nature to the way the ink lays on the heavy formation of the paper. We printed the gray ink first, then the tightly registered yellow logo. The card was trimmed and edge colored in a PMS matching yellow. We like the simple modern design combined with the raw material – people will hang onto this card for sure.
Published on
September 9, 2009 in
Business Cards and Letterpress.
Tags: 60pt, blotter, board, business, card, cards, caryn gutterman, color, custom, Design, edge, egg carton, formation, heavy, Letterpress, modern, painting, paper stock, scott regan, solid ink, textured, thick, tipping, unique.
A bilingual wedding can be challenge. The bride needed invites in English and the groom needed Spanish. The simplest solution for this wedding in Mexico was both English and Spanish versions of the invitation. We designed and letterpress printed them with a textural yet refined style – a geometric border with a simple hand lettering for the couples names. The stock is Canalleto Grana Grossa 111lb Cover (20% cotton) and is printed in three match colors. The overprinting creates additional dimension and colors in the flower and vine motif. To integrate the invites closely with envelopes, we matched our ink colors to existing envelope colors from French Paper’s Poptone color line – orange fizz and limeade. Salud!
Published on
August 31, 2009 in
Design, Letterpress and Wedding.
Tags: 111lb, bilingual, border, canaletto grana grossa, cards, Design, english, flower, geometric, green, gruppo cordenons, hand lettering, invite, invites, lettering, letterpress wedding invitation, mexico, orange, printer, printing, spanish, stationary, stationery, texture, type, typography, vine, Wedding.
We like our printing aprons, but sexy and sustainable clothing fits nicely with letterpress too. We were asked to designed and produced these new garment tags and business cards for new LA based label – Degree Six Clothing. And they are sexy indeed, but in an earthy conscious sort of way.
They create garments with consciously produced fabrics, so for our part we used a fully recycled material for the project. Notable is the 100% recycled 80pt book board. Also, the cards are long and narrow – only half the size of a typical business card. We worked with the Hot Snot screen printing shop to put down our fluorescent green plant pattern on sheets of the book board. Since screen printing ink is opaque, we got a nice bright green color on the darker colored board. Then we letterpress printed metallic 877 for the text. Screen printing does well on a lot of things, but it does not like tiny type. The tags were hole punched, trimmed to size and edge colored with the signature fluorescent green Degree Six color. The board thickness is great for flashing a glimpse of the accent edge coloring. Can wait to see them in stores soon.
Published on
August 27, 2009 in
Design and Letterpress.
Tags: book board, bright, business, Business Cards, cards, clothing, clothing label, colored, d6, d6 clothing, degree six, Design, fluorescent, garment tags, green, half size, heavy, hot snot, labels, painted, recycled, screen printing, tags, thick, tipped, typography.
These cards were designed by Reddoor Creative in LA. Finely designed and printed business cards speak volumes about a business or an individual – and there are no half measures here. These cards are letterpress printed 2 pms colors each side plus a blind hit. The paper is custom duplexed Fluorescent White 268lb 100% cotton Crane Cover Kid Finish. We’d say they have a “thump factor”.
Duplex means pasting two sheets of paper back to back. In this case, we had the sheets pasted AFTER they were printed. We started with a press sheet for the front of the cards and another press sheet for the back of the cards, each sheet being at 134lb Cover weight. What this accomplishes is deep impression on both sides of the card with out show through from a heavy letterpress impression. Custom duplex pasting a sheet is the best way to achieve that heavy impression both sides and get a nice thick card with the artwork on both sides looking top notch. After pasting the press sheets together they were trimmed to size and edges were colored to match the printed pms. Coloring the edge of paper that thick really makes the most of the edge coloring effect.
I think I want to buy a house from this guy.
Published on
August 25, 2009 in
Letterpress.
Tags: 134lb, 268lb, back to back, both sides, business, California, cards, coloring, crane, deep, Design, duplex, duplexed, duplexing, edge, edge coloring, heavy, impression, LA, Letterpress, letterpress business cards, los angeles, luxury, painting, pasted, pasting, printer, printing, reddoor, reddoor creative, tipping, trimmed, typography.
When a design firm gets all the details right, it’s a beautiful thing to print. These business papers for Dohmen were designed by GS design in Milwaukee, and the details are tight. We just finished printing them and thought it was a design well suited for letterpress. The radial dots under heavy impression create a tactile logo, the custom converted rounded envelope flaps echo the logo shape and the edge coloring is a perfect accent on the business cards and folding note card.
The business cards are Neenah Classic Crest Solar White 165lb Cover. They are 2 color letterpress printed with edges colored to match the logo PMS color. Since this was a single sided business card, some impression show through on the back side was not a concern. However, check out the photo of the back side of the business card and you get a visual on what we’d be looking at if there were printing. Printing on both sides with letterpress is possible. Be aware if if deep impression is used, there will be show through from side to side, even on thick stock like 165lb Cover. We can pull back on impression and minimize show through for two sided cards.
The note cards are Neenah Classic Crest Solar White 130lb C – just a little thinner to help get a nice fold.
The letterhead and envelopes are Neenah Classic Crest Solar White 80lb Text. We like the additional weight of an 80lb vs. a 70lb text weight for letterpress printing. It helps everything feel a bit more substantial and does better job with a heavy impression. And the custom converted envelopes are pretty cool – check out the side flaps – they even follow shape of the rounded seal flap. We freak out about stuff like that – nice.
Published on
August 24, 2009 in
Letterpress.
Tags: 130lb, 165lb, 80lb, business, Business Cards, card, cards, converted, cover, custom, deep, Design, detail, Dohmen, dots, edge color, envelope, envelopes, flaps, GS Design, impression, letterhead, Letterpress, Milwaukee, note card, notecard, paint, printer, printing, radial, show through, stationery, text, unique, wisconsin.
We have a lot of requests for blind (inkless) impression with letterpress plates. However, a tonal ink is often something we suggest rather than a truly blind impression. If the stock being printed does not lend itself to deep impression, the artwork needs some legibility or the art work is on both sides of the sheet, a blind hit can be ill advised. The amount of impression needed to clearly read a completely blind hit will create impression show through on the reverse side of the printed piece. One of the ways we get around this is to mix a tonal ink, shown here on both black and white business card samples. By printing a tone, we can lessen the impression and dial up the legibility a bit.
The black stock is 200lb Wausau Eclipse Black. It is letterpress printed with a black and silver ink mix.
The white stock is 220lb Crane Lettra Flo. White. It is letterpress printed with opaque white ink contaminated with 877 silver.
Published on
July 30, 2009 in
Letterpress and Printing Tips and Tricks.
Tags: 200lb, 220lb, black, blind, business, Business Cards, cards, cover, crane, eclipse, flo wh, impression, ink, inkless, Letterpress, lettra, opaque, plates, printer, silver, tonal, tone, tone on tone, wausau, white.
Sometimes a great didone typeface just looks succulent, at least we think so. Those serifs are so nice and letterpress crisp, mmmm.
Sara Janssen, who I worked with back in the day at Carmichael Lynch Thorburn (now The Thorburn Group), designed them beautifully. The detail of the hummingbirds and the classic type makes this an elegant set of wedding stationery indeed. Hummingbirds are such an exquisite little bird of great symbolism, we love the copy they put on the table number card. The color is a dark purple ink printed on Gruppo Cordenons Canaletto 111lbC. We’ve been specifying this sheet for some weddings as a cost savings alternate to Pearl White Crane Lettra. It has a more pronounced texture but only a 20% cotton content. It does not taste very good though.
Published on
July 27, 2009 in
Letterpress and Wedding.
Tags: 111lb, birds, canaletto, cards, Design, didone, hummingbird, invitation, invite, invites, letter, Letterpress, letterpressed, modern, number, press, printing, purple, Sara Janssen, stationary, stationery, table, type, typography, Wedding.
