I bet you thought we forgot, but have no fear, our annual calendar collaboration is here! We’re just wrapping up our busiest year to date (and recovering from a bout of plague that swept through the shop), so
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it’s debuting a little later than planned, but holy hell, did our guest illustrators really nail it. As it goes every year, we here at SOF choose a theme, color palette, and paper stocks before asking 5 illustrators to create custom artwork for two months each. The theme for this year is Folklore: Legends, Heroes, and Myth, so we ended up with some killer characters. Roman gods, fairy tales, literary heroes, and woodland creatures are just the tip of the iceberg. Huge shout-out to our illustrators: Valerie Jar, Brian Gunderson, Drew Millward, Tyler Gross, and Mattson Creative. As for the technical specs: these bad boys were letterpress printed with four inks on our largest Heidelberg cylinder press. We printed all twelve months and the outer wrap on one press sheet, French Poptone Whip Cream 140#, and then trimmed everything down to final size (the wraps also received an additional run through the press to get scored). The easel stand was letterpress printed with a tonal ink color (to give it that rad woodgrain effect) on a custom duplexed stock consisting of French Speckletone Kraft 100# and French Speckletone Chocolate 100#. After printing the stand was diecut and hand assembled. These are for sale now in our online store! As an added bonus, use the code SOF2015 to get $10 off! (Code valid thru the end of Jan 2015.)
When we started planning what we were going to take to the National Stationery Show we decided to create a desktop calendar with all 12 months illustrated by Studio On Fire (no need to fret, we still plan on making our traditional calendar with a slew of illustrator friends). This special edition for 2015 features illustrations of some of our favorite things around the shop (though we must admit we struggled to make the entire thing not about food… we love food).
As for process, we sent the calendar stand into production first, giving ourselves enough time to duplex the stock (French Steel Grey 100# cover and French Banana Split 100# cover), letterpress print, diecut, and hand assemble each one. Simultaneously, all of the pages were letterpress printed with four inks (including one fluorescent and one metallic) on one press sheet (French Sweet Tooth 140# cover). The pages were then cut down, nestled into the stand, and packaged in the final letterpress printed wrap.
We ended up depleting most of our inventory at the show, however we do have a handful of these available for purchase in our online store.
All projects produced in our shop are custom. If you are interested in obtaining a quote for printing or design services, please use the request an estimate feature on our website.
The 2014 Studio On Fire letterpress printed desktop calendar, a project that has been happening annually for over a decade, has recently been completed and now ready for purchase over in our shop.
Each year we here at Studio On Fire select ink colors, paper stocks, and a come up with a theme before asking a slew of illustrators to join us in creating custom artwork for each month. This year we tackled January and October, the remaining months feature illustrations from the ever talented: Beeteeth, Lab Partners, Brian Gunderson, Jolby, and Kate Bingaman-Burt.
The theme for 2014 was “Happy Place,” playing on the concept that your happy place might be an actual place or maybe just something small in your life that brings you joy. From kittens to castles and coffee to burgers, this year is chock-full of delightful illustrations to keep you in a good mood all year (small disclaimer: you might get very hungry some months).
As for the nitty-gritty print specifications, there are two major components of this calendar: the easel stand and the calendar pages themselves. The production of the easel stand started with us creating a custom duplexed stock comprised of French PopTone Sno Cone 100# cover and French Construction Grout Grey 100# cover. After duplexing the stands were letterpress printed with a tonal ink before being diecut and hand assembled. Our favorite feature of the stand is on the back where the diecut allows you to get a peek at the Sno Cone blue paper.
The calendar pages were all printed at the same time on one press sheet, French Speckletone Starch White 140# cover, alongside the outer wrap that uses bits and pieces of imagery from the calendar months. Though the color palette is slightly more traditional than we’ve used in the past, (a pale blue, orangey red, mustardy yellow and a metallic champagne in place of black), we think the colors kept the everything feeling bright and cheery (and allowed for beautiful overprinting).
Available for purchase right now in our store, and for a limited time the promo code SOF2014 will get you one for only $20 bucks!
Pivot Interiors once again embraced their California heritage when designing their 2013 desktop calendar that we produced for them. In 2012 they featured classic California architecture and this year they showcased some of the golden state’s most notable cultural treasures.
All of the monthly pages were run at the same time on one large press sheet, which helps keep some costs down (we only had to set up and wash up each color once), but can also cause some challenges on press. As sheets are run through the press over and over, the paper can begin to warp, wreaking havoc on registration. Taking the time to properly trap all of the artwork in the prepress stage and watching the amount of impression while on press can help quell this.
The pages and outer folding wrap were printed on one of our large cylinder presses with four inks on Mohawk Via Vellum Bright White 100# cover. The desktop stand was letterpress printed with one ink on a custom duplexed stock comprised of Mohawk Bright White 100# cover and French Poptone Blu Raspberry 100# cover. After printing the stand was custom diecut and hand assembled.
Rolling into our store just in the nick of time for Christmas (so would that be in the Saint Nick of time?) is our annual Studio On Fire Letterpress Calendar.
Each year our studio picks a theme, a color palette, and paper stocks before recruiting crush-worthy illustrators to join us in creating custom art for each month. We claimed the January and July pages for ourselves before inviting Brian Gunderson, the Jolby dudes, John Malta, Sasha Prood, and Karolin Schnoor to round out our cast of contributors for 2013.
Artists were given the theme of Lucky Number 13 and asked to interpret it at will, resulting in a multitude of superstitious icons and ironic illustrations. We designed the tri fold outer wrap by stealing bits and pieces from the monthly illustrations, collaging them in a long strip to be trimmed off the press sheet and later used for packaging.
The calendar pages and outer wrap were letterpress printed with four inks all together on a large 26 x 20 size press sheet of Mohawk Milkweed 160C. After printing the individual months were trimmed down to a finished size of 3.25 x 5 inches.
To make the stand we first duplexed Mohawk Via Vellum Safety Yellow 80C to Decorated Paper Brilliance 12pt Tinsel Holographic to create a thick custom stock. After imprinting the stands with a tonal letterpress varnish they were custom diecut and hand assembled with the holographic stock on the inside (allowing a hint of holographic stock to peek out when the support of the stand is kicked out on your desk).
As a special bonus we are offering free DOMESTIC USA shipping on the 2013 calendars thru December 16. Enter coupon code FREESHIP (all caps, one word) in your cart.
If you’re curious, previous years can be viewed on our site: 2012, 2011, 2010, 2009, 2008.
Using the format we designed for our Studio On Fire calendars, the marketing team over at Pivot Interiors designed this 2012 calendar in celebration of their expansion into southern California. Created as a tribute to California architecture, this was used as a gift for their clients and was a great way for them to showcase their ties to the architectural and design communities. The beautifully detailed illustrations required us to keep a critical eye on the registration while on press and we’re thrilled with how tight the prints came out.
The interior pages and outer wrap were printed together on one press sheet using four inks on Mohawk Via Vellum Bright White 100C. The stand was printed with one ink on a custom duplexed paper made of Mohawk Via Vellum Bright Wht 100C and Mohawk Loop Vellum Thai Gold 100C before being diecut and hand assembled.
This wonderfully typographic calendar is the work of Sonner, Vallée u. Partner in Munich, Germany. It is a true information architecture project, letterpress printed on thick cotton paper. Check out their online portfolio for some crisp and polished typographic
excellence. We printed on Crane Lettra Pearl White 220lb (600gsm) cotton stock in two colors -with deep impression text you can’t help but touch. The sheet is a large 420 x 297 mm.
01/20/10 – UPDATE TO POST:
Thanks for your support with our calendar fund raiser over the weekend. Because of your support we are sending over $700 to UNICEF.
Dear Design and Printing Friends,
As a father of three young children I can not imagine the reality that is Haiti right now. Our studio would like to help. We are donating 100% of our 2010 letterpress calendar sales starting today to the UNICEF fund for Haiti.
You can buy a calendar on our studio site for $30. We’ll direct all accumulated funds, less your shipping cost to Unicef early next week.
Or you can support UNICEF directly at their site.
Thanks for your consideration,
Principal, Studio On Fire
The Studio On Fire 2010 Calendar is now available on our new web site. This calendar is a decade marker for us. Established the end of 1999, Studio On Fire began letterpress printing in a cold Minnesota basement. Our first press occupied a spot between
the boiler and the litter box, and oh, how the studio has since grown. Now seven presses strong with a fully equipped studio space, we celebrate ten years as a bustling design and print studio. This Tenfold Edition calendar is letterpress printed with four colors on a cotton-blend stock, each month beautifully illustrated by selected designers the world over. Contributors: Jan/Jul_ Studio On Fire Feb/Aug_Cecilie Ellefsen Mar/Sept_ Brian Gunderson Apr/Oct_ The Little Friends of Printmaking May/Nov_ ghostpatrol Jun/Dec_ Rilla Alexander (Rinzen)