All of the cards, along with the belly band, were printed together on one press sheet with two inks on Crane Lettra Pearl White 110c. The pattern on the folder was created by using one tonal ink on Arturo Pale Pink 260gsm. The folder was custom diecut and hand assembled after printing.

We produced these cards together on a 13 x 18 press sheet. The wedding invite was printed along with a save the date card, a thank you card, an accommodations card and a die cut vertical belly band. The stock was 100% cotton 110lbC Pearl White Crane Lettra. The wood grain was digitally printed, then the black type was letterpress printed.

When thinking about doing a letterpress wedding invitation it is important to consider all the cards you need upfront. We ultimately print everything together – saving us time and our clients cost. (Example – if you know you need a thank you card, plan to print it with the main invitation set.)

This invitation set is housed within a mini custom die cut pocket folder which neatly organizes the various cards. The folder is printed with a tonal custom woodgrain pattern using a clear varnish ink on letterpress with heavy impression. A belly band is fitted to the exterior of the folder with a custom die cut shape. Two slits on the back side of the belly band interlock and buckle things together without glue or a sticker. Everything fits neatly into a standard A7 size envelope. Inside the folder the rsvp and reply envelope sit together and a details card is tucked behind.

The paper combination is beautiful as well. All of the invite cards and the band were letterpress printed together on a press sheet of 110lb cover weight Crane Lettra Pearl White, 100% cotton. (We’ve actually been printing lot more weddings this year with tonal whites rather than bright whites) The envelopes are The Cement Green color from French Paper Construction. The folder paper, also from French is the 100lb C Hot Fudge color from the Poptone line.

Costwise – adding a custom printed folder with a die cut belly band will easily double the cost of an invitation. Pieces like these take much additional production time and each die cut requires an additional press run. So although there is not a lot of color going down on the invitations- printing and cutting multiple elements, hand assembling mini folders, using multiple paper stocks, printing envelopes – production costs add up quickly. But the beauty from those production details add up to the spectacular elegance in this design.