Tag Archive for '60pt'

Hard Graft Print Collateral

Hard Graft, it literally means “Hard Work,” and boy does this European company live up to their name. Makers of beautifully designed and handcrafted gadget cases, this duo (one English, one Austrian) has a passion for what they do–and it shows. From designing the products and tracking down the finest italian craftsman (they used to make every single item themselves), to packing each order by hand, they are involved in every aspect of their business. We’re actually surprised they don’t have sheep in their back yard (then again, for all we know, maybe they do). Moral of the story–they care, these are the kind of people we love to work with.

To complement their 100% wool felt and leather goods, they designed noted cards, merchandise cards and labels for us to produce. The note card and angular merchandise cards were printed on 60pt Ahlstrom Blotter, which is what we traditionally recommend for coasters. Though the outcome is beautiful, these items were a challenge to run on press. Whenever you run a flood of color alongside fine type you will constantly have to fight to keep the text crisp while still making the flood of color as solid as possible. This project was especially tricky because the blotter stock is notoriously challenging to run solid areas of color on, there is no avoiding what we call a “salty” result–luckily this was the look they were going for. They were finished with a custom diecut, which helps the cards tuck tightly into felt pockets prior to shipping (see the picture below that Hard Graft was nice enough to send over of the cards in use).

The labels were printed on Strathmore Soft White label stock, receiving a kiss-cut after printing, allowing them to easily peel off the backing sheet.

Letterpress Love With Baker Associates

We’ve worked with BAKER here in Minneapolis on a few really fun letterpress projects over the last year or so. And they’ve designed some beautiful things for pressing. Most recently, their second installment of the bird themed holiday ornament cards rolled off the press. It is a little bird (a good luck Cardinal) with an ornate frame that die cuts and punches out of thick 60 point blotter stock. It is printed two color each side.

Last years card for Baker was a die cut bird ornament as well. The same production specs, but featuring a punch out owl.

Also in the last few months, we worked through the letterpress printing of the new Baker identity on their business cards. And is was quite the undertaking. They have an interesting post about the process of icon development here. Each employee has their own icon and each card has four color ways. With over 60 employees that was a lot of icons and business cards! They are a custom duplexed 200lbC black and white stock in an undersized narrow card format. (1 x 3.5 inches) BAKER is printed in silver on the black side and the white side receives the four different color variations.

BAKER is a Minneapolis based Branding + Design firm specializing in package design. On the web: bkrdsn.com or tweet: @bkrdsn

Blotter Board Letterpress Business Cards

Caryn Gutterman designed this business card for photographer Scott Regan. We are suckers for letterpress printing the unique, custom and out of the ordinary. And these business cards are no ordinary cards. If Scott Regan hands you a business card, you will KNOW he’s handed you a business card. The thick stock is 60pt blotter stock. It is a little more textured on one side than the other. The texture of this stock is deep – reminds us of the finish on an egg carton, kind of raw and porous in appearance. It takes some work  to print a solid letterpress, even more work on this stock. It’s not a fine surface like cotton sheets, but it’s soft and takes a nice impression which makes it attractive for letterpress. The paper just drinks up the ink and leaves paper fuzz everywhere – guess that’s why it’s a blotter stock. But the result is really beautiful. There is an uneven nature to the way the ink lays on the heavy formation of the paper. We printed the gray ink first, then the tightly registered yellow logo. The card was trimmed and edge colored in a PMS matching yellow. We like the simple modern design combined with the raw material – people will hang onto this card for sure.

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AIGA Minnesota – Studio On Fire Tour

Last night we had a rockin’ time showing off our studio space and letterpress shop to Minnesota AIGA members. A big thanks to Minnesota’s AIGA chapter for giving us the opportunity.

We talked about the relationship of letterpress and design, did some Q&A, drank some Pabst Blue Ribbon and wrapped up the event with a little coaster project on press. Take a look at the coaster sheet – it’s 60pt Ahlstrom blotter paper. We pre printed a couple colors before people arrived. Then, we had a different color set up on both of our Vandercook presses. Everyone got to pull a couple prints, then we die cut the sheet into the set of four coasters. Lots of paper touching and good times had by all. Thanks Kayd Mustonen for taking some pics to share.

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Bingo, A Meat Raffle And Letterpress

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If you aren’t sure what a “meat raffle” is you should really look it up to fully understand the heritage of this design. It’s good to see a fine establishment carry on this noble tradition. Our friends at Fame created this cuss-worthy design for Continue reading ‘Bingo, A Meat Raffle And Letterpress’

McKnight Artist Fellows – Letterpress Journal

We worked together with designer Stuart Flake and illustrator Brian Gunderson on this fine little journal project for the McKnight Foundation. The McKnight Foundation is truly one of the significant supporters of Minnesota artists. Each year they award grants to independent artists in several categories. This  journal was used to commemorate the artist fellows awarded in 2008.

The journal is perfect bound with a letterpress printed 60pt blotter board affixed on front and back covers. We found an existing library pocket and printed those to contain a card with the list of the artist fellows. Note the beautiful way Gunderson incorporates overprinting into his illustration to make a third color.

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