Caryn Gutterman designed this business card for photographer Scott Regan. We are suckers for letterpress printing the unique, custom and out of the ordinary. And these business cards are no ordinary cards. If Scott Regan hands you a business card, you will KNOW he’s handed you a business card. The thick stock is 60pt blotter stock. It is a little more textured on one side than the other. The texture of this stock is deep – reminds us of the finish on an egg carton, kind of raw and porous in appearance. It takes some work to print a solid letterpress, even more work on this stock. It’s not a fine surface like cotton sheets, but it’s soft and takes a nice impression which makes it attractive for letterpress. The paper just drinks up the ink and leaves paper fuzz everywhere – guess that’s why it’s a blotter stock. But the result is really beautiful. There is an uneven nature to the way the ink lays on the heavy formation of the paper. We printed the gray ink first, then the tightly registered yellow logo. The card was trimmed and edge colored in a PMS matching yellow. We like the simple modern design combined with the raw material – people will hang onto this card for sure.
Published on
September 9, 2009 in
Business Cards and Letterpress.
Tags: 60pt, blotter, board, business, card, cards, caryn gutterman, color, custom, Design, edge, egg carton, formation, heavy, Letterpress, modern, painting, paper stock, scott regan, solid ink, textured, thick, tipping, unique.
Last night we had a rockin’ time showing off our studio space and letterpress shop to Minnesota AIGA members. A big thanks to Minnesota’s AIGA chapter for giving us the opportunity.
We talked about the relationship of letterpress and design, did some Q&A, drank some Pabst Blue Ribbon and wrapped up the event with a little coaster project on press. Take a look at the coaster sheet – it’s 60pt Ahlstrom blotter paper. We pre printed a couple colors before people arrived. Then, we had a different color set up on both of our Vandercook presses. Everyone got to pull a couple prints, then we die cut the sheet into the set of four coasters. Lots of paper touching and good times had by all. Thanks Kayd Mustonen for taking some pics to share.
Published on
July 31, 2009 in
Design, Letterpress and News.
Tags: 60pt, ahlstrom, AIGA, blotter, board, coaster, coasters, demo, Design, impression, Letterpress, minnesota, MN, pressroom, printer, printing, Studio, studio on fire, thick, tour, type, typography, vandercook, workshop.
If you aren’t sure what a “meat raffle” is you should really look it up to fully understand the heritage of this design. It’s good to see a fine establishment carry on this noble tradition. Our friends at Fame created this cuss-worthy design for Continue reading ‘Bingo, A Meat Raffle And Letterpress’
Published on
April 19, 2009 in
Letterpress.
Tags: 60, 60pt, a10, bar, beer, board, brown, coaster, dark, darts, Design, dive, envelope, ephemera, Fame, fameretail, foos ball, gold, heavy, ink, invitation, invite, Letterpress, letterpress services, meat, metallic, minneapolis, minnesota, orange, party, point, pulp, raffle, Sam Soulek, sizing, stock, thick, typography, vintage.
We worked together with designer Stuart Flake and illustrator Brian Gunderson on this fine little journal project for the McKnight Foundation. The McKnight Foundation is truly one of the significant supporters of Minnesota artists. Each year they award grants to independent artists in several categories. This journal was used to commemorate the artist fellows awarded in 2008.
The journal is perfect bound with a letterpress printed 60pt blotter board affixed on front and back covers. We found an existing library pocket and printed those to contain a card with the list of the artist fellows. Note the beautiful way Gunderson incorporates overprinting into his illustration to make a third color.
Published on
March 5, 2009 in
Letterpress.
Tags: 2008, 60pt, artist, blotter, board, book, Brian Gunderson, fellows, journal, Letterpress, letterpress services, library card, McKnight Foundation, minnesota, perfect bound, Stuart Flake.
