Search Results for 'card'

Custom Diecut Wedding Invitations

Whenever designer  Priya Patel, of Pomegranita, brings us a design to produce we know it’s going to be stunning (remember this?), and this invitation suite is no exception. Clean typography, a limited color palette, and a dash of pattern all show off the sexy custom diecuts. An important design detail to note is how the thin gold border on the invitation is a decent distant from the diecut edge, allowing for minuscule shits in registration during production without the border looking completely off kilter on the finished product.

A single gold ink was letterpress printed on French Poptone Pink Lemonade 140C before the pieces received the final diecut.


All projects produced in our shop are custom. If you are interested in obtaining a quote for printing or design services, please use the request an estimate feature on our website.

Studio On Fire Ink Knife Promo

When you have a pressroom full of gadgets (and more importantly, people who know how to use them) the possibilities for self promotion pieces are endless. Recently we decided to make an oversized business card based on one of our most used pressroom tools, the palette knife.

Orange ink was laid down first, followed by an overprinting of blue ink on the handle to make the brown woodgrain handle, in addition to giving it a dirty ink spattered quality. French PopTone Sweet Tooth 100# Cover was used on the outside, with a 100# Tangy Orange triplexed down the center, ending with a total thickness of 400# cover. A custom die cut finished the piece off nicely.

All projects produced in our shop are custom. If you are interested in obtaining a quote for printing or design services, please use the request an estimate feature on our website.

Mode Set Bus Cards

These business cards designed by Amy Kitt for Mode Set are a great example of how to sucessfully incorporate a splash of metallic foil into a project.

A single grey ink was printed on both sides of a French Durotone Steel Grey 200# cover stock. To finish things off a small metallic foil icon was imprinted on the front of the cards. Subtle. Classy.

All projects produced in our shop are custom. If you are interested in obtaining a quote for printing or design services, please use the request an estimate feature on our website.

Slate Business Cards

You might remember Slate from this earlier version of their cards that we produced in 2010. Years have passed, but they still know how to design a beautiful card using multiple processes; this latest version incorporates foil, letterpress, and a peekaboo die cut.

A white foil was used on both sides of Mohawk Via Vellum Cyan 80# cover. A separate sheet of Crane Lettra Flo White 90# cover stock was letterpress printed with black ink before receiving an interior circle die cut. Now for the fun part: after all the printing and die cutting was completed the stocks were custom duplexed, allowing the foil “S” to show through the peekaboo die cut.

Chromebook Sleeve and Swag

We’re extremely proud to finally share this project that we worked on a few years back.

Spring of 2011 Make Retail brought us in to partner on a project for Ace Hotel New York and Google for a special release of the Chromebook. You may remember, Ace Hotels partnered with Google to put a Chromebook in every room of their New York hotel that entire summer. It was free to use during your stay and had a custom app (designed by Superfuture) for those who needed a little supplementary New York knowledge.

We custom designed the sleek wool sleeve (can wool be sleek?) to give the Chromebook an easily transportable home. A coordinating mini-sleeve to houses the power cords was created to effortlessly keep things together on-the-go. With a wrap-around cording closure, meticulously chosen buttons and  contrasting top stitching, the details really made this an enviable accessory.

You can find more of Studio On Fire’s handiwork tucked into the interior pockets of the sleeve. An instruction card filled with a cheery welcome message and helpful tips was letterpress printed with a cool gray ink on 110lb Crane Lettra Flo White cotton stock before being scored, folded and inserted.

In another interior sleeve pocket, letterpress printed journals are graced with a quote from John Milton, “A sable cloud turns forth its silver lining on the night,” that we pulled from wood type on our proof press before digitizing for final production (BONUS–guests were able to keep the journals after their stay was complete, whether they purchased the Chromebook or not). The covers have a tonal ink impression on a Mohawk Beckett Concept Wood Spice 130lb cover stock, while the interiors were offset printed on Domtar Cougar Opaque Smooth Natural 60lb text. Finished off with some curvy corners, we’re sure these were stolen by jealous friends when not guarded properly.

Business Card Sleeves

3 Advertising, based in Albuquerque, designed these ingenious business cards sleeves for photographer Michael Barley that we letterpress printed not long ago.

The sleeves were letterpress printed on French Speckletone Natural 80# cover stock. After printing the sleeves were custom diecut, including a window that showcased examples of Michael’s photography from the inserted card. To keep everything all together a small sticker was letterpress printed with a tonal ink on a kraft label stock that was then custom diecut and pinhole perforated.

SHIFT LAB Bus Cards

SHIFT LAB, a web and mobile developer, embraced the beauty of materials when designing their business cards that we produced a while back.

For the logo side of the card we used Mohawk Via Vellum Safety Yellow, in an 80# cover, which is a stock that is vibrant in color without being fluorescent. The logo was printed using a tonal ink, creating just a subtle color change between paper and logo.

The information side of the business card was letterpress printed on Neenah Classic Crest Solar White Smooth 165# cover with a black letterpress ink as well as a custom mixed yellow ink that matches the Mohawk stock on the reverse.

After printing the two stocks were custom duplexed together, for a card with a total thickness of 245#, and the edges were colored black.

Base Art Co Business Cards

The folks over at Base Art Co do some great work ranging from book covers to responsive web design, though our favorite project is probably these business cards they designed for themselves and sent our way for production.

A card comprised of two stocks that we custom duplexed together after printing, the final weight of this card ended up being a sturdy 320# cover. The white side of the card is Crane Lettra Flo White 220# cover stock with hit of tonal letterpress varnish, while the grey is French Durotone Steel Grey 100# cover letterpress printed with a silver ink and white foil. After duplexing and getting trimmed down to their slightly undersized dimensions of 3″ x 1.75,” a bright yellow edge color was applied, which added a splash of color in addition to hiding the seam of the custom duplex.

Foiled by Studio On Fire

That’s right folks, we’ve added hot foil stamping to our repertoire of specialty in-house processes.

One of the best things about foil is, unlike our letterpress inks which are transparent, foil is opaque, allowing us to apply a lighter color on a dark background (see this blog post to read about  letterpress printing with white inks on black stocks).

As designers we love(!) tiny type, but as printers, we know there are limits to what is realistically achievable. With that in mind we created a set of specimen cards, exploring different type sizes using the two fonts we use for our identity. From the reasonable 11pt type all the way down to the petite 5pt italic Baskerville, the foil held up pretty well, though the fidelity at these sizes can’t always be guaranteed–it’s going to change from typeface to typeface.

With letterpress printing we recommend tracking out your type (at least to 25 or 50) to give room for impression between letters. For foiling we recommend the same, this keeps letterforms from merging into one blobby mess on press.

We found that the metallic foils (gold, silver, copper, etc) released a lot cleaner than some of the pigment foils (colored foils, such as the blue foil shown below). We definitely wouldn’t recommend getting too tiny with the pigment foils.

 

 

Cricket Design Works Herb & Spice Prints

Cricket Design Works is a full-service visual communications consultancy based out of Madison, Wisconsin. We printed their multi-colored business cards a few years back and completed this tasty poster duo for them just this past winter.

Appealing to both our eyes and taste buds, these illustrative posters were letterpress printed on Crane Lettra Pearl White cotton stock  wtih three inks, a green, an orange, and a brown common to both versions. Nestled amongst a massive amount of foodie knowledge, the illustrations keep solid areas of color to a minimum, really showing off the letterpress impression with some hand drawn line work.

 

2013 Studio On Fire Letterpress Calendar

Rolling into our store just in the nick of time for Christmas (so would that be in the Saint Nick of time?) is our annual Studio On Fire Letterpress Calendar.

Each year our studio picks a theme, a color palette, and paper stocks before recruiting crush-worthy illustrators to join us in creating custom art for each month. We claimed the January and July pages for ourselves before inviting Brian Gunderson, the Jolby dudes, John MaltaSasha Prood, and Karolin Schnoor to round out our cast of contributors for 2013.

Artists were given the theme of Lucky Number 13 and asked to interpret it at will, resulting in a multitude of superstitious icons and ironic illustrations. We designed the tri fold outer wrap by stealing bits and pieces from the monthly illustrations, collaging them in a long strip to be trimmed off the press sheet and later used for packaging.

The calendar pages and outer wrap were letterpress printed with four inks all together on a large 26 x 20 size press sheet of Mohawk Milkweed 160C. After printing the individual months were trimmed down to a finished size of  3.25 x 5 inches.

To make the stand we first duplexed  Mohawk Via Vellum Safety Yellow 80C to Decorated Paper Brilliance 12pt Tinsel Holographic to create a thick custom stock. After imprinting the stands with a tonal letterpress varnish they were custom diecut and hand assembled with the holographic stock on the inside (allowing a hint of holographic stock to peek out when the support of the stand is kicked out on your desk).

As a special bonus we are offering free DOMESTIC USA shipping on the 2013 calendars thru December 16. Enter coupon code FREESHIP (all caps, one word) in your cart.

If you’re curious, previous years can be viewed on our site: 2012, 2011, 2010, 2009, 2008.

Fame Speakeasy Invitations

The fine folks over at Fame Retail hold an annual open house for industry friends and clients, building the theme around the booze and munchies they plan on serving each year (you may remember these bingo cards and these fair themed beauties). This year, with a nod to 1920′s prohibition, their team created a speakeasy theme across a set of cards that included mustachioed gents, pin-curled ladies, icons of delicate linework, and plenty of liquor lingo.

The card set was comprised of two stocks, Neenah Classic Crest Solar White 110C and Wausau Royal Compelments Eclipse Black 100c. The white cards were letterpress printed with a blind (inkless) impression before we ran them through the press for a pass of  black ink. Silver ink and a tonal letterpress varnish were used on the black cards.

To top it all off, these invites just won PaperSpecs Gallery’s Take Note Award. Be sure to check out the nice video posted on the PaperSpecs blog.