Monthly Archive for May, 2011

Webb de Vlam Edge Color Business Cards

This business card was designed by Webb de Vlam as part of their new identity launch. With design offices in both London and Chicago, they wanted a card that would surprise and delight clients and employees. The variety of bright accent color truly brings this project to life. The overlapping colors in the logo mark also create dimension by overprinting ink colors – a nice print interpretation of the online media logo.

The business cards are letterpress printed on Neenah Classic Crest Solar White 165lb C with four spot Pantone colors. There are three spot gray colors common to all the cards – that was the easy part.  What made things interesting were the ten additional accent colors that switch out on the logo and edges – each person in the company receiving a palette of four color versions.

There has definitely been a trend toward larger companies using letterpress printing in their identities. We manage business card projects for companies with one person, or several hundred employees. These type of projects are most effective when they are planned with shell sheets in mind. A shell is a sheet with multiple cards ganged up that has all the common colors and logo already printed. That way, when a new hire or reorder occurs, we have those sheets on hand and ready to imprint on future orders. Typically, this works best and is most cost effective when the variable information on a card is planned in only one color. We advise companies to think about their card needs inside the next 18-24 months when ordering shells. Contact us to establish a letterpress business card production plan for your company.

Oooh, Ornithology Overprinting

We printed these for New Found Original – a new online shop selling a carefully selected and ever changing collection of graphic products. They commissioned artist and designer Ryan Todd to design a set of four luxury letterpress coasters for their first collaboration project and introductory collection. The coasters are now for sale at NewFoundOriginal.com and Ryantodd.com

These were letterpress printed in two colors on extra heavy 60pt blotter stock. With the colors common to all four coasters, they were printed together and die cut four up out of the press sheets. We were really happy with how well the overprinting colors actually create a much darker third color. This is overprinting at it’s best – when the illustration is really planned to make use of that third color. Complementary colors do that best.

 

 

Letterpress at AIGA MN Design Show

We stay active in the AIGA Minneapolis design community and are excited about the many projects printed in our shop that were in this years Design Show. With just over 90 pieces in the show – 11 of those had letterpress production in our shop. We are proud to be a trusted letterpress production partner for so many designers. Also notable – we took the AIGA MN Peoples Choice award for our own design of the Golden Rule poster. You can still buy one here.

But what does this mean for letterpress as a printing method? Why do designers and judges choose it? Why do the people love it? Here are a few thoughts…

Letterpress is a counter point to slick

The more prevalent digital printing and smart phones become, the stronger the counterpoint of a tactile production method like letterpress. The materials, the sculptural impression, the raw yet refined nature of it make a difference in your hand. We love our iphone as much as the next designer, but there is something in letterpress printing that digital media and digital printing can not touch.

 

Online Media Is Squeezing The Middle

A lot of the middle range print marketing is being cut out in favor of online business tools. The print industry overall has seen a pretty big smack down over the last few years. The remaining print budget for companies is going toward pieces that will work hard and stay memorable. Projects like business cards, invitations, and other highly visible print pieces get the budget with online media doing the heavy lifting.

 

Letterpress Simplifies Design

Letterpress makes designers simplify a layout. Pieces usually have just a couple colors, since each color is a separate pass through the press and costs add up quickly.  Things like gradients and drop shadows get kicked to the curb because they don’t plate well for letterpress. Artwork on letterpress gravitates toward type.

We’ll be doing some more in depth posting on some of these soon, but here is a summary of what we produced in this years show:

Capsule cards and covers for Blue Earth Interactive

Colle+McVoy an occasion card gift set for C+M All-Set Card-Set

Colle+McVoy Schwinn Calendar Poster,Studio On Fire design

Eight Hour Day cards and note cards for Eight Hour Day Stationery

FAME Annual party invitation and coasters FAME Fair Open House Invite

Loaf Nest LP record jacket, posted here Douglas Quin “Fathom” LP TAIGA records

Red Organic business cards, disc sleeve, folder for Gina Zeidler Photography

Holmberg Design cards and labels for Station K & Company Agency Branding

Studio On Fire our annual calendar, buy one here 2011 Studio On Fire Letterpress Calendar

Studio On Fire our print for a poster show, buy one here Golden Rule Poster

ZYDECO design business cards and brochure for  ZYDECO design Image System