Monthly Archive for May, 2009

Top Stitched Wedding Booklet

Custom wedding projects are a specialty for our studio. When a marriage has multiple events and large amounts of information – a booklet structure just makes sense. We worked with stationery designer Kavita Ahuja on this letterpress printed booklet for her brothers wedding. (Also, her and her fiancee also have a very cool website selling boutique handmade perfumes called D.S. & Durga.)

The booklet is a french folded structure with a cover that wraps the spine to hide the raw page edges. The french folding allows a nice letterpress impression on each page while hiding any show through of impression on the interior since the backs are hidden. Everything is printed on Pearl White Crane Lettra 80lbT with navy and gold ink. The binding edge is stitched from the top with a navy thread. The booklet fits into an existing A7 square flap envelope. Note on that the envelope can print both the face and the flap by opening them before printing.

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Soundset Letterpress Poster

The Sound Set event is an amazing line up of  hip hop happening this Sunday in the Twin Cities, put on by Rhymsayers Entertainment. We just killed this letterpress poster job, 1000 qty 3 color posters in just over a day. This is some fresh geometric pattern and color designed by Adam Garcia – work you should certainly check out further over at The Pressure. And be sure to get a poster if you go to the event.

This poster is on 100lb Poptone cover stock from French Paper. It is a 15.5 x 23 size with some big solids going down. With this much ink we have to run the powder spray pretty heavy so the ink doesn’t transfer to the backs of each other. That makes the inside of the press look like a powdered doughnut. The powder spray is actually just a corn starch and works well to avoid offsetting ink transfer. Sucks to clean the press afterward though.

We love doing posters, but be aware that the polymer plating for large sizes can be expensive for small runs. Just the plate cost alone will run about $200 per color. That kills the price for a run of 50 posters with polymer. But 500 to 1000 quantity- now we’re talking. That spreads the plating cost out over more pieces and makes it more reasonable get on press. Not that we aren’t happy to do small runs, but plate cost is what it is regardless of quantity.

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Studio On Fire In Forbes Letterpress Article

So we got a call from Forbes last month. We did an interview about the resurgence of letterpress and talked about how modern photopolymer plating makes letterpress available to a more contemporary design aesthetic. But a lot of people are stuck with a mental image of letterpress as it came into mainstream design popularity several years back – distressed wood type, over inked artwork and a makeshift quality to the design that comes from using whatever typefaces and elements that happen to be on hand. Don’t get me wrong, I love Hatch Show Print and have been through the Nashville shop several times. But letterpress has a range far beyond that limited aesthetic. Pushing the medium is what our shop focuses on intently. To us, the resurgence of letterpress is this: making letterpress a viable commercial production method for contemporary design.

A few of the details in the article are a little fuzzy as they published my comments and I think she got a bit of a rise out of me. (yes, I realize if you have the patience and an extra hour or two, you can set some type on a curve with metal type, but that is certainly not commercially viable for our shop)  The point was that I personally take issue with anyone that would say printing with polymer isn’t real letterpress. Yeah, we use polymer. It’s a means to an end. Different tools make different marks. Maybe we should call our work “civil union printing” rather than “letterpress” so all the ludites can feel better about their craft. :) The bottom line is that photopolymer represents a new range of possibilities for designers and for letterpress. We embrace that wholeheartedly, but still have a deep appreciation for all of those willing to toil over a case of lead type.

Check out the Forbes article here.

Here are some pics of a photopolymer job being set up to print.

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NSS? Where Was Studio On Fire?

We’ve been asked several time now, “So how come Studio On Fire was not at the National Stationery Show?”

Simply because the lion share of our work as a studio continues to be custom letterpress printing for other designers around the country. We love printing custom work for other designers. We’re good at it and proud of the results. That is what we are focused on and the NSS is not the right venue to promote our services. While we do continue to have a product line, we are promoting it independently, selling to a small number of boutique retailers and museum shops. If you are a retailer and wish to set up a wholesale account, email us and we’ll be happy to send along our catalog.

Here is a sampling of our product from our Designer Series Deskline. We wanted the elements in our product line to feel sort of like a test print or sheet of make ready. Those always have such a wonderful randomness that is enormously difficult to capture intentionally in a layout. This design is Polkaville Party, designed in conjunction with two fine designers here in Minneapolis – Kelly & Kindra, both are currently teaching design over at MCAD.

There is monarch sized stationery with two letterhead designs included, a pinhole perforated dry gum label sheet, folding self mailers, stitched mini journals and a punch out tag and calling card set. All is printed with three color letterpress on cotton and recycled papers. The overprinting creates some sweet purple and greens throughout the prints. Product is for sale on our web site. We are currently offering free shipping within the United States.

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Eleh LP Record Jacket Sleeve – Letterpress

The good folks at Taiga Records sent this sleeve design for letterpress printing last year. They are two color letterpress printed on a 100% PCW 160lb stock from Smart Genesis. They sold through all 500 copies in a month and we are now working on letterpress printing of another new album to be completed early this June. All of their records are pressed on 200 gram virgin vinyl.

Andrew at Taiga asked us to spread the word about one of the artists on the label performing in Minneapolis. Rafael Toral, will be performing on Tuesday, May 19 at the Art of This gallery, 3506 Nicollet Avenue S.  He is from Lisbon, Portugal and hasn’t performed in mpls since 1999.  The event starts at 8:00pm, there is a suggested donation of $5 and byob.

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Flooding Letterpress Ink

This post shows a card we letterpress printed for Grass Fed Cattle Company designed by a good friend and design mentor over the years – Michael Skjei. We love the commitment to local farmers and free range meats. If you are local, give these guys a try.

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We seem to be getting an aweful lot of requests to print business designs with floods of solid color. It can work on letterpress – with a couple big caveats.

Will the color be consistent?

We will have a wider range of ink density variation in the print run than an offset press. We do not have computers sitting on press monitoring this, it is all by eye. We matching to a print at the beginning of the run and keep it as a target, adjusting as we go to keep everything as close as we can. But there will be variation.

The heavier the ink density, the more difficult it becomes to hold the detail of fine typographic detail. So if you are flooding, more robust type works better.

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Will my color print solid?

This depends on the type of stock and the color. Lighter colors and smoother paper stocks generally print with less “saltiness” in a solid area of coverage. Since letterpress prints with pressure, we are much more subject to the texture and formation of the sheet of paper to achieve an even solid.

Will there be impression on the text?

Generally, no there will not be impression. Letterpress works best with text and artwork that is pressing into the sheet. If you are looking for impression while flooding a color, this is not a great use of letterpress. Notice how the logo and gray ink have impression, the green flood of color does not.

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Is the cost the same?

A flood of color takes much more time to set up on letterpress than a card that has text only. Generally, this involves making ready the ink fountain and double the amount of makeready sheets to get color up to speed. Since we charge based on press time, printing a flood of color will cost more than  printing a text only design.

However, most small offset printers can’t make a 160lb or heavier sheet of paper run through their press. So that leaves letterpress as a viable method to print to handle these heavier stock thickness. You have to get on a much larger offset press to touch that kind of stock thickness, which means also means bigger quantities and costs.

So yes, we can print solid colors IF you are comfortable with the variations that are inherent to the letterpress process.

Hello Letterpress Operator – Join Our Studio

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Studio On Fire is hiring for a full time Letterpress Operator position becoming available soon. Another of our letterpress gurus is moving onward to grad school. This is a chance to join our unique letterpress team. Other than our insane focus on detail, we are a small and easy going team of designers and artists committed to excellence in print.

You must have BOTH of these TWO requirements for consideration:

1. YOU MUST HAVE SIGNIFICANT EXPERIENCE OPERATING HEIDELBERG WINDMILL AND/OR HEIDELBERG CYLINDER PRESSES.

2. YOU MUST HAVE A FINE ARTS DEGREE IN PRINTMAKING OR A SUBSTANTIAL FINE ARTS, CRAFT FOCUSED BACKGROUND.

We care about craft. If you are a crafts person that loves the challenge of highly demanding production projects, this is the job for you. Look through the posts on this blog to see the kind of custom work that is typical of our press room.

We offer attractive compensation, flexible full time hours and health benefits.

To apply, email a description of yourself.

If this is not you, please spread the word to anyone you might know matching this description.

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NOTE: This is a post for experienced persons only. We are not hiring intern or entry level positions. Inquiries outside of the skill requirements of this post will not be contacted.

Back In Black

I’m back after a helluva week with some crazy virus. I miss writing this thing!

This is a sweet little business card designed by Andrew Young at Exclamation 101. The information wraps the card from front to back. We letterpress printed them on a thick two ply black museum board. Weight wise, it is about 200lbC which gives virtually no show through. We really like the finish on this sheet too. The impression takes with a nice crisp bite and the black is very dense compared to commercial papers.  The metallic silver ink offers great opacity on the black stock.

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Tough as nails.

Possibly the greatest channel on the net-web.

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Ben’s out with the Rotavirus so entries might get a little weird until he returns, but we all wish him a speedy and smooth recovery. Godspeed sir.

Woodgrain & Crest Letterpress Wedding

When we posted the Save The Date card by designer Nick Brue a couple months back, we were super excited to see what he had in mind for the design of the actual wedding invitation. Finally, here is his design that just recently left the pressroom:

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This invitation set is housed within a mini custom die cut pocket folder which neatly organizes the various cards. The folder is printed with a tonal custom woodgrain pattern using a clear varnish ink on letterpress with heavy impression. A belly band is fitted to the exterior of the folder with a Continue reading ‘Woodgrain & Crest Letterpress Wedding’

Something Old & New: Wedding Type

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We love wedding designs that challenge the status quo. The unexpected combination of a antique woodtype-inspired-tuscan-style font alongside a modern san serif face seems to work here. We like the bold linear quality of the design with hearts to add a little finesse. And, it was designed by the groom himself (Ryan Floss).

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Another unique thing about this invite is the size. Invites need not be giant. Making things smaller certainly helps keep the cost down. The main invite card here is only A2 (5.5 x 4.25). The direction card is actually a standard business card size of 3.5 x 2. That is a nice pocket size to take along to the event. All the cards are letterpress printed on 100% cotton Crane Lettra Flo. White paper.

Ornamental Wickerwork: Carolina Wedding Invitation

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We figured we’ll keep going with the wedding invitation posts all this week.

This letterpress invitation is an exquisite balance of wickerwork ornament and type. The graphic ribbon creates a wonderful sense of dimension as it intertwines the ornamental panels. The script font combines with the serif and italic fonts to establish a Continue reading ‘Ornamental Wickerwork: Carolina Wedding Invitation’